Solid Quarter

Visit Trembling Pillow Press for poetry books, broadsides, chapbooks, and Solid Quarter Magazine.

Visit New Orleans Poetry Fest for the annual 4 day poetry festival directed by Bill Lavender and Megan Burns.

Megan Burns' Poeticsofbone&city project on Tumblr



Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Thursday, October 15, 2020

Break the Universe

We will need to break the patterns of the universe if we can, she says. And you know, god being a dead woman, won't mind.

we love to see it break.

she says, they love to see them break. and we are her and we are them. and we love. we lovewelovewelovewelovewelovewelovewelovetoseeitbreak 

 

in a handful of everything

what do you hold

i went out my whole life betting on a type 

of love

i've never known 

mine the fallow banks

deep fissures where i stored i

set down for safe keeping 

forgot how to be what type of person 

there's no difference between a word

and a want, the edge of your face skinned 

& an alphabet cloaking sound 

the dark matter of the poem 


In its flight from death, the craving from permanence clings to the very things sure to be lost in death. 

-H. Arendt  

 




Wednesday, October 14, 2020

Center the Monstrous

 

What gets raped out of the body? What does the body forget in neglect? What is disappeared under the weight of every day annihilation?  What is lost in translation when we are never told the truth. Can beauty ever be enough. Can the belief in love ever be enough. What fills up the smallest cup we call our heart space. This is a photograph of a drowning, the space of this one drop can be filled with enough neutrinos to kill a person. It is in the smallest measures that we are risking every day. The algorithm of consuming to extinction is hard wired into you at birth. Is there a difference between touching your tongue to the burning flame and me telling you: The world is on fire. 







what we see is the poem orbiting/ the poet radiates/ a type of internal combustion/ seek it in a different 'light'/ infrared, global and music/ what is an invisible word/ between spectrum / if some of us had survived/ now all of this would be different/ like misplacing all of the umbrellas/ so you have to feel the weight/ of water on your skin/ the way you know you are alive/ or don't

the representation of a wish is the representation of its realization

 

what is spell bound in language

 

what an effigy for desire in the word. to say petal.to say bloom. to say flowered. we trade in the etymology of a softness and a vulnerable that hand to hand asks of us to fantasy how hard it is to exist here. magic was never about manifesting dreams as much as shaping the programs that hold you under this illusion that we could be handed the smallest pieces of the puzzle and still solve for whole.

 

 i have been warning anyone who will listen, to come upon collectively this never remembered space in the time line must surely believe we have never made it this far before.

 

but perhaps you recall the sound of my voice.

 

even now, you could sound out my name on your tongue and that might be the length of existence.




Tuesday, October 13, 2020

Extraction for Measures

 

these words arrive to you via reflected light. via the course from mind of design to mind of intention to the yellow brick mazing of never go home again. do you know what happens to a city that leaves the dead in a building for almost a year. now we do. now we know the answer to so many terrors. the way what we hold sacred can be stripped from us, the way we became history even as we sank beneath it. 

 

 

 
 

this photograph x-rays the photon’s expectation, it adheres along the edge. What is emitted from the core is a beyond the speed of light determination. Does the operating system of the universe run analog or digital we might ponder to pass the minutes. i can tell you that under survival such cushions are not needed to line the couch. you can turn the whole furniture over to float when the water comes. don’t ask me about fire. all i’ve know in this life is more and more intricate ways to drown.

 

Sunday, October 11, 2020

Realization throws Bright

we are god and we don’t want to be. we want anyone else to have this task. it’s invulnerable. this always being a little light of mine to shine. this always being here but pretending like it’s anew. we want anyone else to take this steering. take the wheel. take the momentary lapse of judgment. take the last slice. take the initiative. take the risk and let failure lap you like a wave. take handfuls of similes and metaphors and drip them along the curves of me, licking it clean.

 

desire is what confuses us of free will. to know we have wants and the autonomy to access choice makes it seem as if we are moving through time with some awareness enough to shape reality. and not that reality is shaping us reciprocally, that there is no separation. it doesn’t matter what we want: half is molded by the attachment of what we long to have and the rest by aversion to what we wish to avoid; the maze from above is easier to solve. try to abandon resistance and see what floats.

 

belief is for living not dying. it can boat you shore to shore but once we exit this staging, whatever dreams we built here fade to dust. we are as moon beams, the hint of romance and then dissolution. everything we see is architected within the darkness of our skulls, caged in illusions, entire realities are constructed on this notion of collective dreaming. an eye is as adaptable as any other organ. it rests in the explosion of data enumerated to infinity. nonsense is the way we use language to make sense of minutes, hours and eternities.


 

Tuesday, October 06, 2020

Light called Traveler

 

A photograph is bound by light as we are bound by desire. Dancing on the head of a pin, angels in turn, what I hand you is the caught gram of suspended time. Moving forward and back, the fall of eternity is the harmonic of exhalation. And we so feathered as to be sold of all our heavy lifting. I would you seep beneath expectation: Let me woo you further.

 


 

 

Incandescence is the emission of electromagnetic radiation (including visible light) from a hot body as a result of its high temperature. The term derives from the Latin verb incandescere, to glow white. Incandescence is a special case of thermal radiation.

 

Sunlight is the incandescence of the "white hot" surface of the sun.

 

even my dreaming is a quiet action of wanting more…

 

i need you to love me in a way that doesn’t exist yet. 

carved down to images & codes.

 

the mutation of the eye to see light is useless 

without the nervous system to relay information

 

as is the song without a body to sing it

 

as is the weight of love without our determination to bear sorrow

 

to say of this layer it candesces, a window of soul pours out 

 

as is the thrum of sound in hollows

 

as is the ripple of movement across surfaces

 

to say of this layer it folds, time takes all if you believe it holds 

Wednesday, August 05, 2020

Why didn't I do it for you?


Day 5:

A photograph is a lie. It takes the soul of what is sacred and lays it flat as if to say: Here is the shape of life, watered to disaster. Dis-aster: “bad star” or “ill-starred” like the shade of me disappears underground and between hooks and seeds, I can’t catalogue fast enough the labyrinth of plenty to undo deceit bloomed here. Everything I have learned about love, I have learned in this city: That is a truth I will die under. Ask me, and I’ll tell you, I had to hide it away to forget your name. That is how much you hurt me.


*************************************

Process Notes:


“Many therapists see CPTSD as an attachment disorder. CPTSD almost always has emotional neglect at its core… survivors typically struggle to find and maintain healthy supportive relationships in their adult lives.” –P. Walker


if you are quantum fixt to me
know we are going toward pure light

grief is like touching the surface
of water
you don’t become the water
and yet

“What is it that we as humans ultimately depend on? We depend on our words. We are suspended in language.”   -N. Bohr

Sound moves at 330 meters per second in air.


we do not survive our lives
so forgive, can you forgive
wave matter not duplicated but
the smeared out of my face
in the end, i will have the silence
i long for, i am untouchable
inside the box, i do not exist
i will extinct this song

In December of 2019, I went to a photography show with a friend who I grew up with in New Orleans east. Which photo is your favorite, I asked. And then we picked the same one: A picture of the lakefront. Nothing bad ever happened at the lakefront, I said. The photographer gave me the picture framed for my birthday, and I hung it across from my bed so every morning when I woke up, I would see it. When the pandemic hit, I would walk the lakefront for hours just like my mom and I would after my brother suicided. Nothing bad ever happens at the lakefront. We walk the paths of grief so often they familiar. I watch the photo on my wall, and the scene never moves. And we never move. We stay rooted to the places that have watched us suffer.


New Orleans Historic Collection, West End Amusement park 

Photograph:

New Orleans Lakefront with my shadow in it
30.0385° N, 90.0264° W

Hurricane Katrina hit southeast Louisiana on August 29, 2005. As the waters of Lake Pontchartrain rose with the storm, a section of levee floodwall along the 17th Street Canal near its mouth with the lake collapsed catastrophically. This was one of the most significant levee failures which occurred in the wake of Katrina's landfall and put the majority of the city underwater.
Floodwaters from the floodwall breach inundated large parts of the neighborhood in a matter of minutes. Near the breach itself, the force of the rushing water uprooted trees and even separated some houses from their foundations. Some areas received as much as fourteen feet of floodwater.
source: Wikipedia


In December of 20___, I went to a ______________ with a __________ who __ grew up with in New Orleans east. Which ________ is your favorite, __ asked. And then we picked the __________: A picture of the l_________. Nothing _______ ever happened at the lakefront, ____ said. The ________ gave me the picture framed for my ________and I hung it across from my _____so every _______when I woke up, I would see ___. When the XXXXXXXXX hit, I would walk the _______ for hours just like my ______ and I would after my XXXXXXXX suicided. Nothing ____ happens at the lakefront. We walk the paths of ______ so often they _________. I watch the _______ on my wall, and the scene there never ________. And we never ________. We stay _______ to the places that have watched us suffer.



Plague journal

5.23.20

giving up illusions. surrender to the way people are, surrender to the way people feel about you, surrender to accepting this is how it is & finding freedom and joy there. it’s just a choice. you have to meet reality at reality. not all of it will move in one lifetime. do you think we could be smart enough to weather our way out of here.  genius enough to solve the riddle in real time. to navigate the magic faster. we blow the dreams of this species across the water. i travel all sound. i would go there. accept there is no surviving this. death is the purest form of love here and no one is without it. dear love, is it abandon when you leave. when i leave. when we disappear from one another’s lives. what are we allowed to do with time.

i have never started or stopped loving anyone


Notes from the Channel:



Resource:

N.O. Artist Brandan 'BMike' Odums: 'We Make Beauty Out of Pain"
The prolific multi-medium artist and educator talks to us about the youth media initiative 2-Cent, his mural work in post-Katrina New Orleans and the double-edged sword of the city’s “recovery.”
https://www.colorlines.com/articles/no-artist-brandan-bmike-odums-we-make-beauty-out-pain

Tuesday, May 05, 2020

36 Chambers: Canto III

Canto III


“Through here language will be both poison
and medicine, love as well, harnessed
as healing and wound,  through here

loss of clarity, through here the word
champions over the sound so you will
believe not what you hear, here truth

hides inside the symbols compromised
by echthroi, that which unnames
we call this the great undone of time”

and so in the third chamber, we did
come to the gate our fury did make
us seek, and sometime did we long

to flee, close the doors/ twice as often
as you open them :: who are you
to ask what anyone would bring

to the crossroad. you better be able
to bare that story Love lives just sit 
there on the sidelines. what have you

learned about being still.  And we
led we on, among the secret things
a slither in the streets shapes us

how can you let go fear when fed
by fear is all we’ve ever known, might
ask us to spread wing and fly, might

say language was our first undoing
the word cementing us to be
for i am, i am, i am the echo of see

is it warm enough here for you.
Your music makes me feel lonely. 
i mean, how have you trained

to hear truth. & what is listening
inside all of this. you might consider
these things as you decide to cross

over. what kind of line have you
drawn down the middle of life
what drags against its meter

of nagels, the metal wrought that cages
how do you recognize
the name of what we walk within

that liminal beast, we hunger toward
sensate, a compulsion towards attach/
ment heaviness letting go, against 

heaviness itself  think of the choice
to enter this realm. the heavy suffer
of manifest. to slip into the quantum

fixt state: time will make it seem
as though the flow is consistent
and linear… in the echo of split

so that all is apparent and none
at once, and when I turned my palm
up to heaven/ they flew off 

let us not tarry thresholds, let us
gather our courage, swift to the pawing
we scuttle across the sands, poemed

as we are to a telling: round the fire
ever shade, ever shadow, imagine drums
and the way the light flickers so that we

dance in these caves of light, we dance
in the caves of light There are a million 
and one ways for me to look, but I only

want one do you know why we guard
portals, why every door is a riddle
do you remember how to sound

your way back home. there is one story
about a winged murder, the crow of delight
lies and nightmares, the horror of all upended

but chaos is many-sided, and tender too
to know the sweet breaking of joy
to be awash in the miracle of separation

calling us down into realizing
there is this deep net’s worth of imported
data, of being human. of experience. we

travel within the scooped access of collect.
we bend against time. it fractals. infinite.
a gate rides an answer to a puzzle

you meet later in the gloaming
because you have always been one—you
DJs played every day and night, the net

lit up with the oddity of entertain and be-
ing caught in the myth of productivity
there was a death toll and we counted

it up and down the peaks of fortune
and fate and threaded we shook our
selves loose and stood to ready depart

to the river. for the river is what holds
the crossroad in the crook of its arm
it’s a crescent smile, we step lightly

call up the operator of time: when
you hear ______________
which is to say language is noise

we do not withdraw, we pull up
to the shore’s wet lip and wade in
lapping into the drum’s beat

this breath, this foot by foot, curb
the vibration into push and pull
the cell is a combination of heart/

beat mazed in the lines we reached
into those waters and cupped palms
scoop me, the sound of the hands

the sound of the line, create
life in the stamped into water
chatter stammering between two places

chaos is a burning wheel you choose
to step into its center, you choose to
pass from this veiling to a new skinny

dream where death edges, death
the last drop falling between
the fingers: everybody once

coiling inside the program designed
to collect data: this matrix is a cell
to keep, a cell to contain in lieu of chaos

let there be light. and this is the word
we used to soul. to angel this winging
do you know how words coalesce.

what matters the tempo if the template
shatters. rounded convolu---    it pipes
the doctor has upended the trial

what is a virus that you can get over
and over again. what is the level
of herd immunity needed. and how

do we create a vaccine. and what will
we remember to bring to all of the funerals
never held. what said we to future touch.

we downloaded the calendars of tomorrow
invented a new word for every imagined
damage, there was no thing we could not

define: look language made this all possible
we invented the theater of politics
to protect investments in what seemed

revolution, but what is revolutionary
about working to death the many
so a few may thrive. what is revolutionary

about a country founded on murder
and rape and slavery and lies.
where did we slip the sacred in with

the profane except in the making:
as I said, I was dead we swept
into the river’s flow :: shatter

and now within, the characters weep




*****************************************
Quoted lines in italics:
D. Victor, Kith 
Dara Wier, You Good Thing 
Ariana Reines, Mercury 
Joe Ross, Last Days on Earth 
Irene Mathieu, Grand Marronage 
Oliver Bendorf, The Spectral Wilderness
Sink, Desiree Dallagiacomo
fault tree, Kathryn l. pringle
Every Living One, Nathan Hauke
The New Sorrow is Less Than the Old Sorrow, Jenny Drai
Butterfly Valley, Inger Christensen
Equivocal, Julie Carr

Sunday, May 03, 2020

36 Chambers: Canto II

Canto II


March is departing and April bouldered
into view, the days begin to outnumber
time folding, and so we sped at its internal

docking, it was inside these hours the visions
emerged, some winged beasts descending
into our spheres where we in our sleepy

nets try to tumble unabated in cycles
of we must sleep in shifts so we each have
a turn to rest for the next moon beat

some versed in prophecy were seeping
for years the pause of nations in symbols
untold, and now all dreams are catalogues

of time’s collusion, the way we slow
and still, thrown projections on the blank
walls of generative madness, crumbling

from the underground, how thin the veil
moons orbit: feel/ my pull my/ roundness
for we were cornered by the evil of consume

men of great awareness knew how to ready
the death blows capping our ability to survive
as if not human, as if not touched by human

desires and instead caught in the nightmare wake
of capital loss and gain while the numbers
of the dying  rose so high we were forced to sing

grief into the air, the keening we together
mended tunes to our echoever and nevering
world our leaders were of a cravenmind

that salvation’s way came at the cost of reeling
into delusion, step up to the abyss of insanity
a drinking of bleach and UV lights, for cancer

was the limit of medical abundance, but now
the science provides us with no excuse not
to prove anyone worthy of invented reasons

i fear the resolve to open this country
into economic surplus has always been fueled
by greed and on the backs of can we sacrifice

many for the bank account of a few to swell
proportions unheeded as you possess me thus far
and I possess you right back, but we had retired

the word slave for semantics of sensitivity
when what we needed was language to clearly
demarcate where we were stuck in place, time

did not grant freedom and in the dreaming, war
was thrown into images, a burning of souls
in a terrible firing, some inferno wrought upon

us in words half remembered, half recall
have we wandered in this wood sometime, lonely
and isolated in our rooms, we learned to place

our heads on lighter downs of perhaps this
won’t come to pass, let us look at the trending
of statistics across nations, how to say virtual

or of virtue, we traveled paired pandemic time
who will we tackle next to upload our disgrace
every voice in unison, in discord, has its fleeting

a cacophony of executing safe and right
we learned too much of neighbors and lovers
who would hold us down and who would leave us

but let us back to the dreams and nightmares etched
in hours we called opposite of moving time’s echo
such designs we had not collectively culled before

as if the faces in the images hold all the consequences
do you dream of war or a way out of war
and what does it mean, this unconscious sitting

with one another’s confusion, with one another
and with each, we combed over ideas of what this
new phase of vivid telling might spell for the future

of us, i fear, we are already so lost, we will never
find our ways back to imagining how to close
the ranks of terror, to believe we could escape

the poet am i, who bid we go to the edges
of love, to the edges of imagination, would we
be able to wing our way from sound to memory

which a certain blindness kept safe: enter
the second chamber which is not yet
even inside the gate, here we are still

awaiting desire, what makes us cling
to our old life, what makes us so afraid
we will abandon all hope and beg to enter

One need not be a Chamber – to be Haunted –
the dead are one reason we keep rage
near our hearts, we seek revenge, we seek

some justice for our loss, for the cruel
ways this life asks us to surrender
all that we love and life’s sweet minutes

coalesce into our wanting and our aches
till we think some action must be the source
of undoing what man has made normal

when did a lust for violence insert
itself into our stories, how to guide
our lives back to care, in some mercy

leave behind the memory of choking
how loosely it all flutters
a memory of burning we cling

so tightly to as though suffering
made it all the sweeter, as though
the sorrow could not be loosened

from our grasps, to ventilate is to air
to press into the lung more breath
as in to be this poetic, what erases

violence from the narrative, what replaces
a story of putting humans in cages
or how we held cures out for money

and let people die alone in their beds
is there a circle of hell for this governing
body that stole safety from our country

who printed money they pocketed while the nation
starved locked in our homes, kept from work
and yet still expected to hold ourselves together

by the bootstraps, by the legacy of American wealth
which is afforded to the 1% and we learned
bred on the backs of workers who would be sacrificed

first to the virus. we need to shop and eat
said those who would be given the finest medical
care, those who had no fear of ever going hungry

how can you feel anything but anger or despair
in the months unspooling as the madness dripped
from the lips of the president: drink bleach and prosper

he exulted, and never were we delivered from that wild
beast, we were herded into believing the economy
needed us to die. we were told we were gonna die

anyway as no relief was coming. and was it
then we sought revenge. was it then the war
inside of our collective minds deep-ended.

you will lose everything. and then you will seek
the place where you can train to take
it back. the second chamber is the answers

sought still deep in dreaming but a stirring
registers. We have flowed out of ourselves
it is hard to believe spring turned summer

while we argued maskings, while the birds’
song increases: Tell me the name of that tree
tell me the feature. The bark of the day echoing

into time’s fiction made clear, we wandered
days asking will there be a return, will we
ever emerge into the arms and embraces

of familiar again, will we lay down in fever
dreams where color occurs as it fades
forever we travel towards the start

of tomorrow. let us traverse this month’s
loneliness and step pathwards to the next
chamber: thus we have adored and begged

now enter the deep and savage way








Houses, Nikki Wallschlaegar
All Night It Is Morning, Andy Young
door of thin skins, Shira Dentz
AREA, Marcelle Durand
Citizen, Claudia Rankine
Exile: Women’s Turn, Nabile Fares
“670,” Emily Dickenson
Fifteen Poems, Bobbie Louise Hawkins
All This Can Be Yours, Isobel O’Hare
The Lost Lunar Beadeker, Mina Loy
And/OR, Jenn Marie Nunes
one, Jen Hofer

Thursday, April 26, 2018

dear poetry, in-coding

dear poetry,

when it hurts, take it to the poem
when it is loneliness, take it to the poem
when suffering, take it to the poem
that disappointment, the shifting sink of I've made
that wrong choice again, the one I do when I think
other people are a kind of, they are a kind of what, girl
not knowing any different you want to fantasy, take it
to the poem, take apart your options for surviving
another ten years in this shatter, take it to the poem
how you thought if I had to write one for every time
I wished I was dead, take it to the poem, echo of
I hate this life, I hate this life, I hate this, take it
take it to the poem, inside of me blooms surrender
to family outcomes, how no one care takes
we solitary and memories like blood, they do drip upon us
girl, is that your father, drunk whisper sweet nothings,
I am so lonely, and what do you want me to do, we all want to die
in this family, all of us trying to blow suffering from our minds
like I cut so deep I went numb, take it to the poem
like I blacked out for years, take it to the poem
like I can't call it abuse because I wanted him to kill me
take it to the poem, the poem does not mean anything


[inside the poem where i give everything meaning]

[                                                                               ]



Saturday, December 14, 2013

Final 2013 Poems: A Pirating

heart's a little lonely hunter
a gnawing keeps it edged
do you believe eternal monstering
pirate down all ships a sinking: can I be
a certain kind of celebrated
long focus pulled so you night a wander
came home dark but not long
to say I would whimper between a spacing
you choice against a bane
you've already survived, when pleasure
trumps doubt, a small cubit of rain buckets
the fall, papers to mark hard stakes
so desire, so always desire
a breeding of immaculates
the heart breaks against
what it breaks against
no mind but madness
within madness

Tuesday, November 06, 2012

Hunted


Hunted

“Language is a skin. I rub my language against the other.”
-R. Barthes


for Kristin Sanders
                        (& for her students who say they don’t mind the trade)

gradually, till it sloughs off
any coat discarded, torn off husky voice
I was a hub for whispers, gossip mongrels
suck & I gave sip, tutelage where I trained
drawn all over cheeks while sleeping
oh, you confused little ninny
his “other” fills every open line

rockaway rockabye’s
how you sanded my levees
how picture my picture
let’s pretend it’s not the end
of times, part sea: my boat bulky
copied graffiti like a code
for generations stalled
wisdom under the toilet
paper roll: girls just want to have

see how the lids pop open
when she’s upright
I precipitated/ not participated
margined, absolutely
this day is traceable
what couldn’t be tumbled
breath on the frame: would he
notice my invisibility
if I cloaked or by the way, I buy
the double vision wedded
bound tyranny & desire
about to make _____________
speak



Megan Burns
11.6.12

Thursday, April 22, 2010

Seventh Birthday Poem

Mina turned seven in November.

Here is her birthday poem. It's for me really, not her.

Seventh Birthday

what is more painful than loss
the distinct knowledge of that which you held
in the palm
cradled newborn head
reaching far beyond your fingers
by this time there is no stopping it
the world too will end
child limbs that wrangle outside
your longest reach
writing on a poem that's already been written
be careful, dear love, these days
arch out final moments of smallest bodies
rush headfirst into a decade of making
smiles and conversations
yet to be designed
foolishly we think our paradise is out there
not slipping forever past our fingertips
the friction of our lives hurtling
before the vaccuum descends

Saturday, August 30, 2008

3rd Anniversary/ 1st Evacuation Since...

More Than Halfway

infected season
if time won’t hold still
this life too is a dreary anger
let it come
take us what water that will
grasp at our designs
a life that falters as best can be described
it’s a short ride in darkening light
to a part of the city still trembling
and tethered
most of the block stays the same
looking further into the enveloping night
see how the homes have been beaten
a memory from childhood
taken out to lay down in disgrace
folded edges as witness palimpsest
danger overlapping disaster
shimmering gaze—all cities reject silence
desolate as is the world wrapped round us
the repetition of “towards recovery”
place holders these empty hulls
beached on the shore of this sunken city
exposed as a vacuum filling with anxiety
each time a breeze picks up in the Atlantic
each time a butterfly wing opens and closes
half way around the earth





Megan Burns
8.29.08

Tuesday, July 15, 2008

Off to Florida...

Here's some writing exercises with a New Orleans influence perfect for this hurricane season:

1) Go to FEMA’s webpage (www.fema.gov) and explore disasters in your state. Or if not in the US explore the usefulness of their tips on how to avoid and prepare for disasters. Examine issues of safety in your writing.

2) Plan an escape route. What or who will you take, how will you get there, and what will you feel if you can never return home.

3) Research a specific species of plant native to your region or if not native, how it arrived there. Write about its history, present and future.

4) Construct a city with language. What is your infrastructure?

5) Explore how first responders work. Who will come for you if you are in need? What are your expectations of police, firemen, National Guard, etc.? How are they valued in society?

6) Explore geography in your region: where your home lies, when it was built, when the neighborhood was erected, what is the history of your physical place.

7) Wherever you live, write the story of your house, room by room, wall by wall, and ceiling and floor. Explore what is hidden and why versus what can be seen.

8) Make a new alphabet.

9) What are the property laws in your area? How is property allocated? How much is truly public space? Where are the homeless? What is kept safe and what areas are more valued?

10) Imagine the place most poignant to your childhood memories, a house, location or city. If they ceased to exist in physical space, what would you miss and what are your ideas about impermanence?


and a poem for naming wind:


2008 Hurricane Names

Approach
Betray
Complex
Differ
Ever
Fingertips
Heart
Insoluble
Just
Kill
Language
Moral
Not
Outlook
Particular
Ringmaker
Success
Towards
Wasp


-Megan Burns