Solid Quarter

Visit Trembling Pillow Press for poetry books, broadsides, chapbooks, and Solid Quarter Magazine.

Visit New Orleans Poetry Fest for the annual 4 day poetry festival directed by Bill Lavender and Megan Burns.

Megan Burns' Poeticsofbone&city project on Tumblr



Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Saturday, October 24, 2020

Seen through Darkly


 i would eviscerate any knowing of what i am 


shall we archive the way we failed at being human 


i tired. 

to keep pieces.

cohere. 

to make a thing.

what is a mind. 

crumbling. 

fail as a photograph. 

to capture.

what is seen. 


i watch the walls. 

splatter.

if i could out this loop. 

i would. 

you can't hold me.

to sane. 


i will erase. 


memory. 


abandon. 


is the only word i know. 


for love.

Monday, October 19, 2020

Don't Be Afraid


this is the us of our country. the us of our diligent courses. the us of financial disparity. the us of consuming resources. the us of hoarding. the us of instant gratification. the us of short attention spans. the us of enslavement under different names. the us of concentration camps, of prisons, of anything but freedom, home of the brave.

please be brave.

capture as blocks of time. i was in the moment listening. i was in the net, internetted to notions of lovely, shaped by direct messages & alerts and not by touch, the sound of your voice is a memory but i have scrolls of words that will nail you into place. 

 

this is a story of failure, the ways we collapse collectively. 

found our discomfort is what we call every day. 

 do you feel historical today, i mean, hysterical. i mean no one can work. no one 

can function. i mean how do you not marvel every day at the psychological 

warfare we're being asked to exist under

 emotions are the entertainment of distraction

it's when you feel nothing anymore that we can begin 

to deprogram you 

how long is this internment? 

 or what is the length of your belief in time. 

 

 

 

Thursday, October 15, 2020

Break the Universe

We will need to break the patterns of the universe if we can, she says. And you know, god being a dead woman, won't mind.

we love to see it break.

she says, they love to see them break. and we are her and we are them. and we love. we lovewelovewelovewelovewelovewelovewelovetoseeitbreak 

 

in a handful of everything

what do you hold

i went out my whole life betting on a type 

of love

i've never known 

mine the fallow banks

deep fissures where i stored i

set down for safe keeping 

forgot how to be what type of person 

there's no difference between a word

and a want, the edge of your face skinned 

& an alphabet cloaking sound 

the dark matter of the poem 


In its flight from death, the craving from permanence clings to the very things sure to be lost in death. 

-H. Arendt  

 




Wednesday, October 14, 2020

Center the Monstrous

 

What gets raped out of the body? What does the body forget in neglect? What is disappeared under the weight of every day annihilation?  What is lost in translation when we are never told the truth. Can beauty ever be enough. Can the belief in love ever be enough. What fills up the smallest cup we call our heart space. This is a photograph of a drowning, the space of this one drop can be filled with enough neutrinos to kill a person. It is in the smallest measures that we are risking every day. The algorithm of consuming to extinction is hard wired into you at birth. Is there a difference between touching your tongue to the burning flame and me telling you: The world is on fire. 







what we see is the poem orbiting/ the poet radiates/ a type of internal combustion/ seek it in a different 'light'/ infrared, global and music/ what is an invisible word/ between spectrum / if some of us had survived/ now all of this would be different/ like misplacing all of the umbrellas/ so you have to feel the weight/ of water on your skin/ the way you know you are alive/ or don't

the representation of a wish is the representation of its realization

 

what is spell bound in language

 

what an effigy for desire in the word. to say petal.to say bloom. to say flowered. we trade in the etymology of a softness and a vulnerable that hand to hand asks of us to fantasy how hard it is to exist here. magic was never about manifesting dreams as much as shaping the programs that hold you under this illusion that we could be handed the smallest pieces of the puzzle and still solve for whole.

 

 i have been warning anyone who will listen, to come upon collectively this never remembered space in the time line must surely believe we have never made it this far before.

 

but perhaps you recall the sound of my voice.

 

even now, you could sound out my name on your tongue and that might be the length of existence.




Tuesday, October 13, 2020

Extraction for Measures

 

these words arrive to you via reflected light. via the course from mind of design to mind of intention to the yellow brick mazing of never go home again. do you know what happens to a city that leaves the dead in a building for almost a year. now we do. now we know the answer to so many terrors. the way what we hold sacred can be stripped from us, the way we became history even as we sank beneath it. 

 

 

 
 

this photograph x-rays the photon’s expectation, it adheres along the edge. What is emitted from the core is a beyond the speed of light determination. Does the operating system of the universe run analog or digital we might ponder to pass the minutes. i can tell you that under survival such cushions are not needed to line the couch. you can turn the whole furniture over to float when the water comes. don’t ask me about fire. all i’ve know in this life is more and more intricate ways to drown.

 

Monday, October 12, 2020

Hard-wired to Birthing

 

 

lenses diameter light, cervix to the optimal opening of a let there be…. and what waters we trouble. shade or shadow, the haunting of areas long left of their one wild sorry. i was distressed by how unclear the damage was, kept asking you to help me see, but you put the console between us. you kept arm’s length and away, a shushing of my face in the wind. there’s no amount of fast between us that will ever scare me. it’s what you hide in plain sight that is a terror i would try to contain. like if you keep showing up, it means one day you won’t. it’s blurry what we are and what binds us. 

 

 


 

 

hydrogen and oxygen will bond to create water and what are we bonding to and to create what. we think it must be a maximum state of procreation, emotional intensity, sexual gratification or rage itself, but in practice, we are bonded to each person we meet along the way, to varying degrees we are bonded and forever entangled with each other.

 

i think if we could ride the timelines out long enough… we could see the whole diameter of how we circle round one another, how we influence and learn, temper and trap against. it can’t be accidental, the way time never took us very far from one another. and through watching this city drown and die in so many measures, some how we managed to make it far enough into the future to spend one last day wasting time.

Saturday, October 10, 2020

Sipping the Line

 

Trapped against logic: the weather of human is what remains. Tones of grief we balanced in the walking, this photograph is part memory. The way childhood coalesces so even damage gets shaved down to a fine grit. You can take it up inside you in any manner of ways, hold tight the drawn over time feelings of regret and nostalgia. But to what end. To what end is the point of history except to rewrite, the point of remembering except to get it wrong. Love isn’t really an experience you can measure in time though they’ll lie to sell you dates and anniversaries. They don’t want you to realize love is happening every moment. It’s the way light enters all that we see. Even beyond eyes, light pierces all and if you think love is any different, maybe you need to listen.

 

 


 

 

being human is very important. being human is the consciousness with which the universe sees itself. if being human is very important, why does the universe not take more notice. if being human is important, why don’t we take it more seriously. do we take it too seriously. are we the universe in neglect. are we the universe in earnest.

 

i learned how to drink scotch in san ramon, costa rica when i was nineteen years old in a small bar where i met an elderly white man who was an expat now living outside the town for some twenty years, estranged from his family. we talked about rudyard kipling. he recited a poem from memory and we talked about life and time. he invited me to his house in the rain forest and we rode horses. when he mounted his horse, it threw him. he probably seemed older because i was so young. when you are a nineteen year old girl, men usually only want to hurt you i had learned. or i had not learned yet enough because i went with him anyway to the middle of nowhere but i have always survived by scent and he smelled harmless. once we were wolf cubs. once we were lizards. once we were hibernating in the dusty motes of space. what i am saying is every story is a myth. all of this true and always happening and so none of it is true and never happening. what i am saying is many things have happened to me as many things have happened to you. and at the end of the day, outside of entertainment, none of it matters. nothing ever stops happening.

 

if one hallucinates, one is said to be suffering from a mental anomaly.

 

but what we really mean is: If you perceive reality far from the collective, you are a type of dangerous to the flimsy threads of perception holding up the castle

 

you threaten to pull it all down around us.

 

what would you do first to collapse reality with intention.

Thursday, October 08, 2020

Diagram Your Thinking

Primordial vibration is the core root of assembled sound. Sound without motion is a dispersal. We have to gather these syllabics. We have to tend to the utterances, the sighs, the gestures in caught nets of transference. To speak is to want reciprocity. Understand and attend this part of the story. We are full of demands that go on without ceasing. Some of us pretend we need none of it; that is the base of really trying to hold on to everything around us too tightly. This is a photograph of burnt treble, the echo of spiraling letters, the way prayer was what forced us to kneel and bow.



 

 

Separations between objects are often called space because language and convention make us draw boundaries.

-R. Lanza

 

it’s hard to know how one person will lead to another, to a porch in fall in new orleans in a pandemic with coffee and conversation, and here is the way life fallows in hours spent called introduction and where we lead off in certain seasons of perfectly unaware of all of the facets of failure we hide within us. We talk always somewhere between honesty and the fiction of memory: To say i am unaware of how you could ever really see me, so let me hold up for you some versions i find most palatable. i never know what others really want from me except to be reflected back, and when called will i able be love enough. can i convince any stranger that in this unsafe place we inhabit called america that i am close enough to pet wildly, i am soft enough inside this armor that you could lay your head here and this biting is accordance, it’s the way i will taste to see if you are safe as well.

let me diagram this occasion: 

 in the left hand field, i will need you to draw a triangle and name three beings with whom you have strife. 

in the right hand field, i will need you to draw a circle filled with expectation. 

in the core of you, i will need you to determine if any feelings you've ever experienced are actually "real" and not simply projections of the sensate world.

burn everything you have been taught before this moment.

nothing will serve you once we are delivered from time. 

 

 

 

 

Wednesday, October 07, 2020

Defend the Erotic

Picture the rock face of the moon, craven and without her, no pull. Heat from the sun would obliterate our oasis. The way she swerves round is the basis for employment. We exist by accidents so precise they cannot be measured yet. In the tear down of our histories, let us obliterate meaning outside of amaze. You think this can all not be rearranged, but a bloom is subject to annihilation and change.

 


 

 

 

[the only change was in our minds]

 

we want things to last even as we know they cannot.

assumption of a self is not necessary for life.

 

it may be necessary for the systems we’ve been convinced we must uphold, but life does not require a sense of self. 

 

 

i say we can have persistent beauty. i have a necklace of skulls that whisper to me the names we try to forget. absolved of ash, this tremble. i worry about the slippery ways we lose our own places in time. like we were traveling together but then one wrong word, and all rockets into space. a meteor whose shadow resembles the shape of you but elongated, and with more legs. that’s just absurd. we say as we read the news. and then to the dreaming we go for answers.

 

 

[look for what's there, not what you want to be there] 

 

Monday, October 05, 2020

Love Letters Ruin

 

idea(d) i dead or ideation, dis- of the time or –dis of the constructed versions, yes, i let so many hands run over me because the sound they fed me was for a moment i’ll take your breath away. but don’t let wander confuse. this is a picture of the night i loved you unconditionally, the way planet means wanderer, the way we orbit the body, all of this time we were near one another but it took decades of mistakes to make us fit together now, this is a photograph of how time takes everything away

 


 

 

i imagine i wish them well, all the megans who are living and whose lives are scooped from mine, the universe bubbles in dimensions and if you call upon all of your selves do you wonder if there is a version close enough to perfect to make me feel happy.

 

who dares to wonder if it is the living itself that is the sickness.

 

addiction is such a special way of loving back. that disappoint that you all go on without me. is it that the heart wants what it wants or do we just like placing blame.

 

shouldering shadows.

 

a plunking down. eviscerated noise.

 

i was in a panic that we were owed the spaces to make art or love. not sure what mattered more or if there was a separation.

 

i once had a fondness for thinking.

 

the ways of the world now are a slow drift.

 

[sacred pause]

 

the things that happen in our heads are the only things we know with any precision

Saturday, October 03, 2020

Something is Being





Time sampling is a form of poetic entanglement. This is a photograph of the residue of stars, the ash of designed universals, the way light trespasses into infinity. Once upon a time there was an explosion of sound, cataclysm of pressure so we digitize the archives to complete the radical swerve we cultured. The camera is a device for erasure, not catalogue. It is the way the poet is a danger to everyone because an inability to contain measures crutches the established norms. 

Something is being conveyed instantaneously. 
               And yet the mind remains nothing but emptiness. 


But what can we know about emptiness except in relation to all that we must abandon: It is almost as if consciousness created all of this not out of desire for, but a desire to depart from, so that we could determine the truth of what is.

Digital cameras sample light from our world, or outer space, spatially, tonally and by time. Spatial sampling means the angle of view that the camera sees is broken down into the rectangular grid of pixels. Tonal sampling means the continuously varying tones of brightness in nature are broken down into individual discrete steps of tone. If there are enough samples, both spatially and tonally, we perceive it as faithful representation of the original scene. Time sampling means we make an exposure of a given duration.


But let me ask you: Does potentiality entangle with the environment? 

Do we create the potential for attachment or aversion, or is it beyond our control?
 
 

Wednesday, August 19, 2020

What is a mistake of light?



Day 19:


[pour out of me]  whisper into night/ pour all of this [out] of me/ this gesture is called: Begging


*Please use the guide for exact measurements.


********************************************

Process Notes: 

"Because dissociation is a breakdown in the continuity of a person's felt sense, it almost always includes distortions of time and perception."
-Waking the Tiger

Lens Flare:
"When light rays coming from a bright source(s) of light (such as the sun or artificial light) directly reach the front element of a camera lens, they can reflect and bounce off different lens elements, diaphragm and even off the sensor, potentially degrading image quality and creating unwanted objects in images."

What is an unwanted object in regards to light? 

Do you look for safety and security but in your heart, you pray for danger to be saved from the little dream we made here. 

Is this time worse than Katrina. I don't know how you would measure a disaster against a disaster. Each is as unique as a fingerprint, a snowflake, a stain, the way we love...

I am learning now there are so many layers to love. 

Have you seen this too. (in the still silence of these days when you can hold your breath against your beating heart, if you can hold it. can you hold it. can you let it go. i slipped inside each moment, stealth. we rotate. i leaned into not clinging, not grasping, and let it wash. let it wash me away, if that's what you want, new orleans. i could never resist you.) 

[and love, love was so slippery. like happiness. love was so abundant. we warred here and it was unnecessary.]



I don't know that light ever makes a mistake. I think we just have to adjust our expectation of seeing. 


Photograph: 

Clouds over the Lakefront 


Time changed during the pandemic, everyone noted. We steep in the familiar, the dissociative experience. 


The night we roller skated by the tracks in the warehouse while the trains rolled by... 
I want you to know at the end of the night, I rolled the whole perimeter of the space and swept it clear of all the energy we left there. All of my life has been a sweeping of sorrows, a gathering of grief, the felt sense of how energy shifts from the body into open space, and we move it. We transform it out into the replicating space of all of this. I wouldn't change a thing. 

I want you to know in all of my life: I have had friends who handed me ways to survive all of this. In the end, there was more love than I could have ever reciprocated. 

And you too, even as the world broke around us, even as you struggled and fought to stay afloat, you gave me the dream I held inside me. I wanted to fly and you said, here: I made this safe for you. 

And it made all of the difference. 

Love doesn't always shape by carving, I discovered in this life. 

Love shapes too by the softest of whispers over time; we pull so close, we forget to listen. 

Plague Journal:
6.7.20

Sometimes love pierces us so deep we want to flee it. Run from swift moving waters before we are carried away. We want to be told, this won't be painful or scary, but life is a meeting of reality where reality lays. We never go back. We are never the same. What about the radical inclusion of I will care for you anyway. Beyond what you give me, how you benefit me, what you do for me. Beyond knowing or else we begin to accept there is no stranger in a species of one. We can define boundaries but keep love unbounded. How many words for it is not the problem. 

The problem is everything you hold as a condition and call love is not love. 

The problem is what you are reaching for is not love at all. 

They say in a dream, everyone is you. I say, here it is exactly the same. 

We move through bardos and nothing changes about what we always are. 

We want so desperately for the little dreams of our lives to matter, but we are dust. And if we understood the way dust interacts with all dust over time. maybe we could put it away long enough to call up that incredible resilience of joy that harbors in each of us. 


Resource: 
Photographer Mario Tama arrived in New Orleans on Aug. 29, 2005, after he was dispatched by the agency Getty Images to document what was shaping up to be one of the worst natural disasters in U.S. history.









Monday, April 02, 2012

Prompt 2: Brakhage

Examine Light:






"It isn't only what is unsaid, you see, we have very few words to express the scientifically recognizable phenomenon of life"   -Stan Brakhage, (from Brilliant Corners Interview, Spring 1979)









"Oh yes, you don't get angels without devils, because that's the nature of life." -Stan Brakhage, (B.C. Interview, 1979)



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