Solid Quarter

Visit Trembling Pillow Press for poetry books, broadsides, chapbooks, and Solid Quarter Magazine.

Visit New Orleans Poetry Fest for the annual 4 day poetry festival directed by Bill Lavender and Megan Burns.

Megan Burns' Poeticsofbone&city project on Tumblr



Showing posts with label cycles. Show all posts
Showing posts with label cycles. Show all posts

Sunday, October 25, 2020

Dropped of Desire



i'm going to take notes as we go under
as it capsizes
i'm going to small
in the terrible light of design
i'm centered on amaze
central to backing

there is a body in the building
is it recoverable
can you identify the design
of contamination, do you know how many
bodies were in the room prior to the diagnosis
of death: i am as statue. i am as prisoner.

i am attempt of constructed misjudgments
this song abrasive, undone of timing
i would sing for those forgotten

i was never going to be what you wanted
and that was hard for me to hold
i wanted to make it to the other shore
blessed of survive in how we held each otherdown

but here we are: adrift
i have to let you go 

i have to watch everything
i love
be taken by time

 

Monday, August 24, 2020

What do you see?


Day 24
Prayer: our city who art/ our city who art/ our city who art/ tell me everything you know about forgiveness

i (carry) your (name) in (my) mouth/ do (you) trouble/ a (city) is (its) people/ you’d do (well) to (remember) that/ a (city) rises and falls (on) the desire/ we (bring) to (survive) it


***************************************

Process Notes: 


TIME

Wednesday, August 24, 2005
 - strengthened into Tropical Storm Katrina



in the deepest cracks of your heart
what you seek is older than love


some beings map dreams, map a city
a card catalogue of spray painted sanity
we talked about how you we make it
where no one else makes beauty
find us there

mapper of dark places, locked by sound
i was made not afraid
designed close enough to call back
time is short&idon'twantorepeathesecycles
once upon a time, you get lost, megan
i downloaded too fast and burnt edge
made space and plummeted
falling so fast, you burn up before you land

anyone who tells you they want to be loved unconditionally
is a liar, we crave the border of love, the special costs
the choosing, if all you offer is without condition
to anyone, i promise, you will travel alone



"complex entanglement simply becomes no entanglement"



Photograph: 

OPEN YOUR EYES graffiti by READ on the Naval Base behind the End of the World Labyrinth


It's hard not to compare disasters, to mine for lack and less and where we stand now.

Like we had poetry readings, we had dinners, we had dancing and second lines; we had touch and comfort and community. We fought to rebuild. Others came to support us. We were both hated and cherished. And there was hope, an arc of ending and moving toward recovery.

And now, it's just endless days of slowly losing more of ourselves, more of all we worked for and built, more of less and less. No touch. No memories. No sounds shared. No support. No one is coming.

No reflection catches this: The silent ways we break apart alone.

What time does to us here. And where was love in all of this.

Self-transcendence means the universe is capable of going beyond what it has been before.

I felt us changed. Time folded and we rode out on fear. But would you give it to me.

The future maps the past. Time is never moving forward. It's turning.

Back to the beginning. What if there was no suffer but only opportunities to slip this net of desire constructed to hold us down to this story's old ways of unfolding.

What have you got to lose at this point by believing in everything?

That's where we are headed. Grief so deep; you let go the hold on thinking there is a limit to what you can think. A limit to what you can feel. A limit to what we can imagine. As if the only war hasn't always been that war...


Plague Journal:

6.17.20

i don't think you can be good at anything in a cruel world. i wish i still believed that poetry or art or anything really made a difference.



Resource:

Destroy This Memory
https://www.npr.org/sections/pictureshow/2010/08/17/129251257/misrach






Sunday, August 23, 2020

What is empty space in a photograph?


Day 23

We’ve been here for 5 months. No, 15 years. (time is a problem) Love is the absence of any of us in the frame. Every day I wanted to reach for you, I had to ask if your rejection would touch me. And it is not until I understand that there is nothing to reject that I can ever reach for anything again. Fear will not serve you. 



***************************************

Process Notes: 

from here on out, none of this is easy. from here on out, we are wading in the water...


TIME 



Tuesday, August 23, 2005

What would eventually become Katrina started as Tropical Depression Twelve which formed over the Bahamas at 5:00 p.m. EDT (2100 UTC) on August 23, 2005, partially from the remains of Tropical Depression Ten, which had dissipated due to the effects of a nearby upper trough. While the normal standards for numbering tropical depressions in the Atlantic indicate that the old name/number is retained when a depression dissipates and regenerates, satellite data indicated that the surface circulation from tropical depression ten had separated from the mid level low and dissipated as it moved ashore in Cuba. A second tropical wave combined with mid-level remnants of Tropical Depression Ten north of Puerto Rico to form a new, more dynamic system, which was then designated as Tropical Depression Twelve. Simultaneously, the trough in the upper troposphere weakened, causing wind shear in the area to relax, thereby allowing the new tropical depression to develop.

In a later re-analysis, it was determined that the low-level circulation Ten had completely detached and dissipated, with only the remnant mid-level circulation moving on and merging with the aforementioned second tropical wave. As a result, the criteria for keeping the same name and identity were not met.


Photograph: 

Train tunnel near the End of the World


before katrina, we would write exquisite corpses at 17 poets! and put them in an empty wine bottle. after the reading, we would head over to the river and toss them in.

we were so young, and new orleans seemed like it would last forever then.

we had no idea how numbered our days were. no idea a city could disappear. no idea we could lose almost 1900 beings in a matter of days. no idea some of us would never return. no idea some of us would and still not survive.

all deaths were not by drowning. some deaths were slow to surface; it would take months or years for the dying to complete.

we are circling back to that time again. there is disaster and there is the fall out from disaster.

and we must cross all the chambers in order. and we must cross all channels to reach the shore.
and we must move through time in the fashion with which we perceive it.


Plague Journal: 
8.7.20




when memory is danger/ kali keep us safe

Resource: 
Long Night Moon 







Saturday, August 15, 2020

What is the word for something emerging from nothing?






Day 15:

Practice dying till it comes as natural as inhaling. Practice that or be lost in this cycle of endless suffering for all lifetimes. Amusement is the degree to which you have tricked yourself into believing anything here holds meaning. You can no more be in New Orleans than America than in some fixed notion of your own name. You can destroy a city or kill yourself, and all of consciousness will continue to self replicate. It’s not that you don’t matter, but it is exactly that there is no “you” that exists to matter. Doubt of that truth is the dream; it’s the fabric of this bardo to deceive us. 



******************************************

Process Notes: 

1) the art of visibility
2) the art of attention
3) the art of reciprocity
4) the art of response
5) the art of truth
6) the art of protection
7) the art of travel
8) the art of disclosure
9) the art of grief
10) the art of safety
11) the art of touch
12) the art of entry
13) the art of response
14) the art of intensity
15) the art of confusion
16) the art of moments
17) the art of impulse
18) the art of time
19) the art of shared space
20) the art of devotion
21) the art of admiration
22) the art of communication
23) the art of laughter
24) the art of creating
25) the art of critique
26) the art of design
27) the art of denial
28) the art of sacrifice
29) the art of acceptance
30) the art of gratitude
31) the art of joy
32) the art of relaxation
33) the art of nature
34) the art of beauty
35) the art of the unexpected
36) the art of release
37) the art of gratification
38) the art of memory
39) the art of trust
40) the art of recall
41) the art of codes
42) the art of magnification
43) the art of energy
44) the art of doubling
45) the art of closure
46) the art of beginnings
47) the art of numbness
48) the art of awakening
49) the art of sound
50) the art of vibration
51) the art of collective
52) the art of repetition
53) the art of bodies
54) the the art of no words
55) the art of restraint
56) the art of surrender
57) the art of excess
58) the art of unconditional love
59) the art of fear
60) the art of ecstasy
61) the art of union
62) the art of across time
63) the art of underneath
64) the art of nonduality

Photograph:

Tomb in Odd Fellow's Rest cemetery in Mid-City

Lat:   29.9817°   (29° 58' 54")

Lon:   -90.1106°   (-90° 6' 38")


The Odd Fellows Rest Cemetery in New Orleans, Louisiana was founded in 1849. It includes Renaissance architecture and Exotic Revival architecture. It was listed on the National Register of Historic Places in 1980, and the listing included one contributing building and one contributing site.
Source: Wikipedia



the first part of every ceremony is the banishing

the second part is the invoking

rest here, i hear joy is coming....






i know how to see far enough forward into time
to build a path to resistance
when i arrived at the crossroads
it was not what i carried but who i brought with me

that i had not counted on, but all of life will torque
on unexpected, so i need you to hold grief in an open palm facing the sky
not with your hand closed turned towards the ground
clutching the fear, if you relax, you will lose it
there is nothing to lose

i promise.



Resource:
Carville Morgue:
https://www.nytimes.com/2006/02/15/world/americas/15iht-orleans.html






Friday, August 14, 2020

What is a container for fire?


Day 14:

You can’t abandon emptiness and emptiness cannot be abandoned.
tell me how the past is “real.”  tell me when we made the performance of our lives more important than our lives.
how has the word safe shaped your days. how has the feel of it hidden in your hide feraled the notion of happiness here.


**************************************

Process Notes: 


when i tell you i am new orleans
i mean i am the deepest secrets she keeps
darkness and shadow, shame & neglect
we do, don't we- want to know the terrible
stories we keep. all that it means to be human
we want to have some say in the bargaining 
for safe passage & i said the city sings of gratitude
for this life & that's the portal 
what do you sacrifice to walk there
they are watching to see
if you pick up the code

"survival always leaves its mark"
-M. Embree

and the angels have every right to refuse us

at some point you have to reconcile
that someone should have taken care of you
that you deserved love and attention and protection
that you needed and didn't get it
but you survived anyway--you made it anyway
and you are never going to get what you need 
in this life, that's the part that will trap you 
if you don't accept it: the poem takes all 



Photograph: 

alley between two buildings on Downman Rd. in New Orleans east

New Orleans East:
About two miles (3.2 km) later, LA 47 crosses a level bridge over Bayou Bienvenue into Orleans Parish and the city of New Orleans, which are co-extensive. The highway then crosses a high-level bridge over the much wider Gulf Intracoastal Waterway, an industrial shipping channel. Returning to grade, LA 47 becomes a controlled-access highway that also serves as the entire route of I-510. This concurrency lasts for 3.5 miles (5.6 km) and contains four closely spaced interchanges. The first is exit 2C, a stingray-shaped diamond interchange that connects with Old Gentilly Road via Almonaster Boulevard and serves the nearby NASA Michoud Assembly Facility. This is followed by exit 2A–B to US 90 (Chef Menteur Highway), a major route through New Orleans East. Continuing north, a more traditional diamond interchange at exit 1B serves Lake Forest Boulevard, and soon afterward, the abandoned Six Flags New Orleans theme park appears on the east side of the highway.

The fourth and final interchange is exit 1A, a partial cloverleaf with flyover ramps that connects to I-10. New Orleans' major east–west route, I-10 connects with the Central Business District to the southwest and the city of Slidell to the northeast. Having intersected its parent route, I-510 ends, and LA 47 continues ahead as a divided four-lane highway without control of access. The highway reaches the south shore of Lake Pontchartrain in an area known as Little Woods, located at the easternmost extent of urban development along the lake shore. Here, LA 47 turns southwest onto Hayne Boulevard, an undivided four-lane thoroughfare. For the next 4.5 miles (7.2 km), LA 47 travels through residential New Orleans East while closely following the lake levee, which is topped by a concrete floodwall. Several divided neighborhood thoroughfares, such as Bullard Avenue, Read Boulevard, and Crowder Boulevard, lead back to interchanges with I-10. Just west of Crowder Boulevard, a ramp provides access to the New Orleans Lakefront Airport and the Senator Ted Hickey Bridge across the Industrial Canal. LA 47 continues along Hayne Boulevard for another 1.3 miles (2.1 km) to an intersection with Downman Road, which parallels the industrial corridor located along the east side of the canal.
Source: Wikipedia 


Plague Journal: 

5.27.20
All of the pictures from my childhood growing up in New Orleans east were destroyed in the flood. 

"Code your language and escape."
-A. Waldman 

"Every poem should be written in all languages simultaneously."
-P. Joris 


Notes from the Channel: 



Resource:
New Orleans east recovery after Katrina:
https://www.theadvocate.com/baton_rouge/news/article_9906ab1b-a1e7-5eb7-8e52-824adb52d6a3.html





Thursday, August 13, 2020

How many times can you tell a story before you get it right?




Day 13:

time sets an illusion running/ a ticking of hours
you suspend/ life, a thing unwinding/ we pretend
solid/ as in you could reach me/ i could return
but we ripple/ we disappear/ we go out like dust
there is nothing easier and nothing harder
than staying alive

delight has little to do with light
at all/ we try to contain in a word
what it will mean to suddenly find
you missing from the story/ we arrive
at the crossroad from a distance
only we know


**********************************

Process Notes: 



We are a plurality.

Definitions: 

Plurality, or the subjective experience of many conscious selves residing in one brain, can be difficult for some folks to understand, especially if they’re unused to the concept, or are only familiar with the medical model, in which an original person (the “host” or “core”) develops other “personalities” to cope with a traumatic event.
Source: https://www.exunoplures.org/main/articles/skeptics/

Plurality, also called “multiplicity”, is the experience of having multiple people (consciousnesses) living in the same body together.

Each person has or can have a different personality, gender/sex, sexuality, age, race, species, and often different skills, opinions, preferences, goals, and wishes. Each is their own full person, they are not “personalities” or different “moods”. They usually each have their own name, and often a name for their system or collective together (sometimes the body’s legal name).
Source: https://projectinklings.com/resources/plurality


Plurality results in response to trauma. They are the container and protective system for the vessel. Unlike different facets or aspects of a personality, a plurality is distinct in its nature and in their function and interaction in the world.

The plurality is:
Vessel (collective: Megan )
ADDICT
CHANNEL/ SERAPH
HUNTR
[redacted]
HACKER

Each communicates and uses language in its own distinct way. Their personal universe is colored by their memory and interactions in the world. They are not seeking integration, and they in no way create a lack of wholeness in the vessel. They are already integrated as a multiplicity of being within one consciousness and within subconscious aspects of the vessel. They also look different and react different to the world. All of the plurality survives under the masking of the vessel.

This masking is required to be part of "society." It's so ingrained; it's almost impossible to drop as to do so would be a drop in survival access. Triggering or activating the vessel is the only time some aspects of the plurality will emerge beyond the control of the mask.

[redacted] is a "child" though ageless. [redacted] is the most dangerous plurality as there is no concept of accountability, containment, or understanding of long term consequences of their actions. [redacted] only understands that play is survival.  [redacted] erases and this erasure of creation aligns [redacted] most closely to chaos. [redacted] has no felt sense memory. [redacted] does not have access to emotions or feelings. These things are merely language, play, words, and operate as chess pieces to be moved across a board.

[redacted] built memorial.

The process notes herein are an attempt to make sense of why.

"The ego grieves but the soul knows that death is only a ripple in the ocean of time."
-Dancing in the Flames

I need you to believe in everything.

If we are going to survive this, I need you to believe and know anything is possible. But what is most possible is that the way we perceive the universe shapes it. The way we are in the deepest parts of ourselves is the universe. The quantum reality of the microcosm is the mapping of the macrocosm, and paradox is the path to truth.


Photograph: 

World Trade Center by Spanish plaza

Canceled: Online tour of the World Trade Center renovation in New Orleans

The historic World Trade Center building at 2 Canal St. is undergoing an extensive renovation as it is converted into the Four Seasons Hotel and Private Residences by developers Carpenter & Co. and Woodward Interests. The Preservation Resource Center will host an exclusive preview of the renovation in a virtual tour open only to PRC members. Overlooking the Mississippi River at the foot of Canal Street, the striking modernist building was designed by architect Edward Durell Stone and constructed in 1968. The property sat vacant for many years after Hurricane Katrina and was nearly demolished. The tour will be conducted by Raymond Armant and Ashley King of Trapolin Peer Architects and will include remarks by Brad Converse of Cambridge 7, the project’s lead architecture firm which has partnered with Trapolin Peer, Bear Cheezem, project manager with Woodward Interests, and Gabrielle Begue of MacRostie Historic Advisors, the tax credit consultants on the project.
Source: https://prcno.org/event/online-tour-world-trade-center/


JUN 25, 2019
Man jumps off 31st floor of WTC tower

An unidentified man apparently broke into the 31st floor of the former New Orleans World Trade Center building, which is under redevelopment at the foot of Canal Street, and jumped to his death Tuesday morning, officials said.

Plague Journal:
5.25.20

alone/ we can let the filling of what we are arise to the surface/ our degradation & shame. what if i had to be with another. an always type of masking to pretend i am sane. how to explain lost days, the way we fluid at borders, a type of ferry for (for?) crossing channels. we do go out, don't we. we take the body with us as the mind makes rapid connections, move through the land mines of emotional nesting. what i want to show is that the body was productive despite all the trials. we were attuned to the making.

"as you can see no world is realer than the other"
-Notley

you have a job to do/ and suffering is anything that leads you off the path

we are here to handle time/ until we are not


Notes from the [redacted]: 




Resource:
Parallels worlds of 9/11 and Hurricane Katrina: 
https://sundial.csun.edu/6001/archive/isthereacomparisonbetweenhurricanekatrina/




Friday, May 08, 2020

36 Chambers: Canto IV

Canto IV




From Lethe lept, conscious
breath takes surface suddenly
the roar of this place, its cacophony

of angelic howlings, oh i’ve seen
the letter of law: now pass we
liminal jaws: the great scaled

hall we crawl upon, who goes
empty handed. the boundaries
of a god are doubt and danger

inscribed Hecate, her crows
keep time clawed. we practice
low we move carefully

no crowbars, no flashlights, no
clever ideas: language be so
fleshy, so jealous             fire

three of swords, she draws
etched here: if my name is part 
your name how shall we walk

it, how shall we play the game
“a man was shot for asking a woman
to wear a mask. a mask protects.

a mask conceals self. a mask is a debate
inside the circles of no evidence to contrary.
your self is a mask on the unconscious

the masking we do to fit in, the masking
we do to not fit in, the masking we do
to be other, the masking we do to be

truth. cahun sd: under all these masks
other masks. do you know you cannot
talk to dragons—we have no idea

what year it is.”  uncoiling beneath
us the serpent’s color rainbows,
it is the color of everything, and you

are it too. “you come from the world
of angels” forked licking at the air
“oh winged things—there must

be some symbol that speaks
to your soul about why you suffer
would you whisper it

into the beast. and so be it.”
the slithering holds lighted
cues in charcoal tongues: “repetition

does not exist. you can’t return to
any earlier place in the poem.
you can only move one way now.”

and the caging descends. we both
know how to make a pattern. all
this time, all this time estranged

the caught notes, if you have not
cultivated love on this side, you go
through the portal empty handed

it’s all that will pass
can you imagine coming
into this place, hands emptied

of what we thought we held
two of swords, she draws: balanced
blindness, you better learn to hear

water at your back. they remind 
the stars of other stars. funny
when every song counted

it took everything to move
forward in the lined horizons,
a story is a beginning and an end.

love the language flabby
white America was protesting its right
to die. the way we’ve always done

before. the fourth chamber is degrees
in listening. how does the system
operate. we all receive same vibration.

you must frame me when i’m finished. 
you can’t really create considering
every thing that’s been done and yet

imagined. you can’t think at all.
so you make a container. to hold it.
that’s the extent of the magic. so far

and the invocation. and the calling.
well of course, and forgiveness.
yes, we put it all in the code.  i broke

the gargoyle. again, remember you forgot
to add the part about childhood
it’s really just a reflection

of what you were. the sadness
mirrored out. karma is our DNA.
just sit here telling myself all these stories

the “plandemic” flies through the wires
do you know truth when you hear it
or do we listen too often to one another

a poem is a landing. this river where we
poured dead, do you remember we held
grief in each arm, pulled it so close, to taste

the tremble of life leaving, there was nothing
man made about the way the body knows
how to take care of its own. remember that.

when you get over there. the delusion of division
will be set against the delusion being human
is a single species experience, not the complex

fragmenting that occurs within each one. each
cell erupts from division, division is what makes
us and division is what life struggles to overcome.

Insert I’s aubade in the epilogue. to light
we went on thus as far as the silence
kept us, the great worm taking back

its sleep. the gentle wound we laid down
for it to keep would be our treasury, wealth
for the coming travel. you have to seed

the path so you can map it home
seven times clockwise you round
whispers: i see you changed

mark the eye of that lizard as it slips
into sleep, mark the eye of that cold
heart, as it carries the rivulet of fire

you spoke into the program, enter
seven portals and as the old year
descends, let us walk along the path

to a bridge, where she will pour
water over your head, she will
incant by name: poet, i see

you, and deep in the eye of another
for as long as you tread where eyes
are used to catalogue, you will be

held in that light. echoes and reflections
are the glamour we use to entertain
here, the delusions we spin to keep

the matters at hand, to sort the macro-
and the microcosm into a balance
we could call up by number and name

To be lonely tightly until still sleeping
eight of cups, so we walk away from
what we know towards what is empty

But I’m still awake with eyes open 
like two triangles it is natural
to be deadly, but oh, humanity

a country is divided in earnings
as much as in compassion
how many have to die before

we recall the connections that boated
us shore to shore. and after this
cycle, did they arise like smoke

tendrils curling in the dome above
the numbered beast, ninety three
counts round to escape a housing

Who could lose their skin and still 
own it all could you break them
with one song: we are all abandoned

by love, you’ll repeat it till the bands
of fear loosen, while the bands of fear
On the teething field. It’s all over

grasping, still we ache but trespass
as intended from the snake, her dreaming
and from her dream of us in the belly

a morning where we wake to a nothing shine.




***************************************

italicized lines:

Spite, Danielle Pafunda
Sleeper Cell, Michael “Quess?” Moore
Death Industrial Complex, Candice Wuehle
Fake Moon, Alban Fischer
Some Notes on My Programming, Anselm Berrigan
Lizzie Speak, Kailey Tedesco
Sojourner Microcosms, Anselm Hollo
The Romance of Happy Workers, Anne Boyer
In the Key of Those Who Can No Longer Organize Their Environments, Stephanie Anderson
All the Garbage of the World Unite, Kim Hyesoon, trans by Don Mee Choi
IC, Serena Chopra
Something in the Way, Obstruction Blues, John Duvernoy