Solid Quarter

Visit Trembling Pillow Press for poetry books, broadsides, chapbooks, and Solid Quarter Magazine.

Visit New Orleans Poetry Fest for the annual 4 day poetry festival directed by Bill Lavender and Megan Burns.

Megan Burns' Poeticsofbone&city project on Tumblr



Showing posts with label chaos. Show all posts
Showing posts with label chaos. Show all posts

Saturday, August 22, 2020

Do you feel love or do you think love?


Day 22

All photographers are liars. They want to convince you the young beauty is not a corpse, the sunset not a dying star, the bloom not already wilted, and yet the poem could be called a lie except sound undoes us, its vibration cannot be held to untruth the way a framing can be said to manipulate time, to capture, to hold still. A photograph is what we wish memory could be. No shutter fast enough to catch the nothing of light: A city can disappear, a country, a whole universe in a whisper. All we catch here is for release. Do you understand what we fish for with the hook of compassion.


*******************************************


Process Notes:

minute variations in any system when amplified lead to chaos-


I'm sorry but I can't let you go now.

If you've come this far, I am coding a new program. It's already happening.

I'm sorry but there is a way that seeing is belief, a way that the word transforms grief, the way I have put my body between you and the world, the way I have used this as reflection, as reciprocity.

There was never a poem.

There was only the spell of design to code a ritual to survive.

Just stick with me anyhow...

I don't know why it is true, but it is true.

I can shift the lines. Proximity is not in space and time, proximity to me is chaos and chaos is a choosing, so if you have chosen to arrive here. Well, there is not the choosing of you as much as the choosing I have done to get us here. And here we arrive, a wonder and a tasking.

I don't know the ending yet, but I know we have shaped time and distance across a city.

I have already seen it die and I have seen it come alive again. This is happening as we speak. This death is inside us, happening even now.

The question was never what will you do with your one wild and precious life, the question is always:

What will you do with your one wild and precious dying.


Photograph:

The Mississippi River and the other shore

"technostrategic language"

is language that attempts to reduce horror to digestible bits, often used in war

instead of "millions of dead" the words "collateral damage"

instead of humans, "targets"

instead of the lives now suffering, we have been reduced to "economic incentive"
to" stimulus relief," to "suffering economy"

even as we know: there is no economy that is suffering



[We're alone in the cave. 

Hold on to that. It's just us and the shadows on the wall.]

i see you invincible
i see you invulnerable
i am the poet and you can never turn my gaze
i will spell disaster
and worded, watch me unclock inside
the dark energy that holds us all
threaded and over lifetimes, if you come
i am calling      i abandon any connection to one
as we travel in plurality
unhook me                        un - hook - me

unhook your tongue


Plague Journal: 
8.3.20

if we cannot tolerate another's suffering, we suffer

do you recall how you ever begin loving anything?

the way water hugs the land, a touching

"For Kali is said to be mad..."
-D. Kingsly

no one is coming. sanity is what i am containing. no one is coming. 15 years of containment and no more.


Resource: 
Hurricane Katrina poem - Walidah Imarisha
https://youtu.be/DJgpkalWSKE









Tuesday, August 18, 2020

What is the edge of sound?



Day 18: 

front doors standing open for blocks
the city at night divided between light and darkness
a neutral ground of garbage for miles
appliances wrapped in tape on corners
coffin flies and coffins on the tracks
cats in the square
the sound of screaming at night
quiet, a quiet deep in the bones
child bones found in the house
smell of the death
i kept dreaming till my brother died

**********************************************

Process Notes:

how the poem rhythms you like a lullaby
metaphor like a cave we dwell within
the volume of breaking
as you huddle and hide: silence
a type of shame, silence also a lesson
in naming, silence always a webbing
round which we keep

inside lies a great stack of i can, i can
i can

i can get it right

"I read the writing when he seized my throat."
-H. D.


Photograph:

Kenilworth Cinema in New Orleans East:

The Kenilworth Cinema was opened as a single screen by Ogden-Perry Theatres, Inc. on August 13, 1969. It was twinned in the mid-1970’s. Ogden-Perry divested itself of the theatre in 1982. It closed in 1991 due to problems with the roof.
Source: http://cinematreasures.org/theaters/43362


We went to see Dick Tracy with Madonna in it, smoked cigarettes hiding behind the seats.  We were 12 or 13. In 1990, if you were a girl, you wanted to be an object. That was what was held out for you. The boys were pretty, pretty hair, pretty made up faces or the boys were hard, baggy clothes and fast cars and drugs. The boys were active voice. The boys were the center of every story. A girl at the center of a story still was eclipsed, still patterned against sexual passivity, still was a thing for the eye and tongue before the ear and mind. And mind you, we wanted to be seen that way. To be made visible is far superior to being invisible. To be possessed equals a claim to a type of safe.

Sometimes what helps you survive is not what keeps you safe. No boys were harmed in this telling. Water waits and this husky dream waits, and we wait to for truth to surface.

And language matters when you are trying to convince yourself of anything, but does it really matter how you survive.

In all these books of trauma, they don't ever tell you how much you can swallow unharmed. But I believe we must be coded early on to have a bandwidth widened by disaster.



"...even under the most perfect circumstances, there would always be something imperfect that would leave you feeling not exactly good. The trick was to get used to that feeling, or risk missing what little happiness there really was."
-R. Ford


"be stark in the world in which
all that heart breaking brightness will

crack"

RBD, draft 96 

Plague Journal:
6.7.20

Love is always worth doing.



Resource:

Katrina: An Unnatural Disaster
https://www.movingwalls.org/moving-walls/14/katrina-unnatural-disaster.html