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Showing posts with label neighborhoods. Show all posts
Showing posts with label neighborhoods. Show all posts

Thursday, August 27, 2020

What believes in the dream of the body?


Day 27:

There were a number of hours between landfall and news of the levees breaking where most of New Orleans sighed into the belief of having weathered the storm: What do you call false time.  What is the language of suspension we travelled among in conversation as we moved from relief to terror into the dark nights of surreal undone, to say erased of all that we knew is the minute. To say you can never go home again is so much more than a series of words strung together.


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Process Notes: 
TIME

Saturday, August 27, 2005

By 5:00 AM EDT, Hurricane Katrina reached Category 3 intensity.

At 10:00 AM EDT, officials in St. Charles Parish, Louisiana, St. Tammany Parish, and Plaquemines Parish ordered a mandatory evacuation of all of their residents. Jefferson Parish and St. Bernard Parish ordered voluntary evacuations, recommending that all residents evacuate, particularly those living in lower areas. Jefferson Parish officials did declare a mandatory evacuation for the coastal areas of Grand Isle, Crown Point, Lafitte, and Barataria. Tolls were suspended on the Lake Pontchartrain Causeway as well as the Crescent City Connection, to speed up the evacuation process.

At 5:00 PM EDT, New Orleans Mayor Ray Nagin announced a state of emergency and a called for a voluntary evacuation. He added that he would stick with the state's evacuation plan and not order a mandatory evacuation until 30 hours before the expected landfall. This would allow those residents in low-lying surrounding parishes to leave first and avoid gridlocked escape routes. However, he did recommend that residents of low-lying areas of the city, such as Algiers and the 9th Ward, get a head start. Nagin said the city would open the Superdome as a shelter of last resort for evacuees with special needs. He advised anyone planning to stay there to bring their own food, drinks and other comforts such as folding chairs. "No weapons, no large items, and bring small quantities of food for three or four days, to be safe," he said. The Louisiana National Guard had delivered three truckloads of water and seven truckloads of MRE's to the Superdome, enough to supply 15,000 people for three days.


Map of Louisiana parishes eligible for assistance.
Governor Blanco sends a letter to President George W. Bush asking him to declare a major disaster for the State of Louisiana, in order to release federal financial assistance.

In response to Governor Blanco's request, President Bush declared a federal state of emergency in Louisiana under the authority of the Stafford Act, which provided a, "means of assistance by the Federal Government to State and local governments in carrying out their responsibilities to alleviate the suffering and damage which result from such disasters,..."

The emergency declaration provided for federal assistance and funding, as well as assigned, by law, the responsibility for coordinating relief efforts with those government bodies and relief agencies which agree to operate under his advice or direction, to the FEMA federal coordinating officer (FCO). It also provided for military assets and personnel to be deployed in relief and support operations, although the Posse Comitatus Act imposes strict limitations on the use of Active Duty soldiers in law enforcement. 1701 Army National Guard and 932 Air National Guard are deployed (2633 total).


That night, National Hurricane Center director Max Mayfield briefed President Bush, Governor Blanco, Governor Haley Barbour of Mississippi, and Mayor Nagin on the status of Hurricane Katrina.




create just enough space to be final

make  a poem or make a picture
a oncing/ a volatile/ a continuum
vacuum/ blackhole/ suspended   variance    a tribe

what's the dream design to a bridging

can you echo in a no chamber vat
of collusion

i wish there was a better way to be lovely
i wish there was such a thing as a star anymore
and not just layered arts of extinction


Photograph:

Canal Outlets in New Orleans East

When we were kids, we played in the canal outlets, under the bridge overpasses along Morrison Rd. We rode our bikes unsupervised around neighborhoods, no cell phones. No social media. You could lay under the bridges to cool off and find odd stuff, discarded. You could peek over the railing and sometimes, we would pretend to be dead laying on the side of the bridge to see if anyone stopped.

They didn't.

Maybe we weren't good at playing dead because we didn't really know much of death.

"A human being is part of a whole, called by us 'universe,' a part limited in time and space."
-Einstein

Plague Journal:
8.9.20

The only commitment you can really honor in this life is to yourself. Love happens in the freedom to let others be all they are, without judgment, expectation or attachment.

Making a commitment to another is really an illusion.

The dissociative aspects of our culture are revealing an inability to deal with reality. And its deepest root lies in an inability to face death, suffering and mortality: Our aversion as toxic as our attachments.



Resource:
http://www.louisianaweekly.com/hurricane-katrina-then-and-now/












Sunday, August 23, 2020

What is empty space in a photograph?


Day 23

We’ve been here for 5 months. No, 15 years. (time is a problem) Love is the absence of any of us in the frame. Every day I wanted to reach for you, I had to ask if your rejection would touch me. And it is not until I understand that there is nothing to reject that I can ever reach for anything again. Fear will not serve you. 



***************************************

Process Notes: 

from here on out, none of this is easy. from here on out, we are wading in the water...


TIME 



Tuesday, August 23, 2005

What would eventually become Katrina started as Tropical Depression Twelve which formed over the Bahamas at 5:00 p.m. EDT (2100 UTC) on August 23, 2005, partially from the remains of Tropical Depression Ten, which had dissipated due to the effects of a nearby upper trough. While the normal standards for numbering tropical depressions in the Atlantic indicate that the old name/number is retained when a depression dissipates and regenerates, satellite data indicated that the surface circulation from tropical depression ten had separated from the mid level low and dissipated as it moved ashore in Cuba. A second tropical wave combined with mid-level remnants of Tropical Depression Ten north of Puerto Rico to form a new, more dynamic system, which was then designated as Tropical Depression Twelve. Simultaneously, the trough in the upper troposphere weakened, causing wind shear in the area to relax, thereby allowing the new tropical depression to develop.

In a later re-analysis, it was determined that the low-level circulation Ten had completely detached and dissipated, with only the remnant mid-level circulation moving on and merging with the aforementioned second tropical wave. As a result, the criteria for keeping the same name and identity were not met.


Photograph: 

Train tunnel near the End of the World


before katrina, we would write exquisite corpses at 17 poets! and put them in an empty wine bottle. after the reading, we would head over to the river and toss them in.

we were so young, and new orleans seemed like it would last forever then.

we had no idea how numbered our days were. no idea a city could disappear. no idea we could lose almost 1900 beings in a matter of days. no idea some of us would never return. no idea some of us would and still not survive.

all deaths were not by drowning. some deaths were slow to surface; it would take months or years for the dying to complete.

we are circling back to that time again. there is disaster and there is the fall out from disaster.

and we must cross all the chambers in order. and we must cross all channels to reach the shore.
and we must move through time in the fashion with which we perceive it.


Plague Journal: 
8.7.20




when memory is danger/ kali keep us safe

Resource: 
Long Night Moon 







Friday, August 21, 2020

What arises in the minds of all living beings?


Day 21:

1. a never ending cosmos of triggering sound
2. gates to the threshold
3. cloisters of stars
4. stay long enough to part
5. stay long? loose this grasping


************************************************

Process Notes: 

Are we still at war?

What do you believe is going on?

Why poetry?

At the base of it is perfection.

Outside of trauma, one will try to affix to something that can be consistent.

The line: a perfect pitch. A metered feet of sound. A collapse of error.

The box corners, the frame of the photograph, the cutting edge of syllabic. What we adore is symmetry, what we adore is light, what we adore is the way a feeling can be contained in this form, I have the ability to capture anything and make it beautiful.

Don't believe me then try me. I know what I am and cannot be moved.

The problem with surfaced lifetimes and nothing here is enough.

I want everything like I would retrograde back before each of us exploded, i tried to use magic to slip into a life i wanted/ realized too late doubt showing, never thinking here i could offer enough to not make you love me/ but to tear down the walls of keep it all out/ what suffers the heart is potential and the inability to reach/ like i would play against the childing beast of all/ [redacted] calls all survival a type of play/ we wanted the dawn to be our guarding/ the stars themselves to narrate our destiny


inside the poem i build an island of refuge
for i want you to see me
far more than i want you to reach me

Photograph: 

Cemetery behind a chain link fence


How can one find one's mind when one looks elsewhere.

Here is what we found written in the stream:

no matter what you see here
no matter what you feel here
do not doubt
that there is nothing but love
one sound, unending
you have to want to listen


"in the Kabbalah there are names for angels that live in the intervals created by each harmonic"

"safety in the broadest sense is any sound the listener can listen to without amygdala activation"

-Sound Healing 


I spend more time with the dead than with the living. They are ever present. They are the sound in between sound, interstices where the poem lives as well. We carry the current across veils. Or to say, if you hold to this reality, I was distracted from living.

But still, I was trying to meet reality. But the truth was I was often unmoored after the storm. Habits of disappearing. Who ever knows where you are in a city. I spent too much time in unsafe places but having come from unsafe places didn't notice danger. I didn't need to flee what never scared me. I was part of a design already coded and can tell you too much of endings.

I built a space for this community before we exploded so we would recall our intimacy.

I made a space for sound so we could sing our resilience.

I broke consistent because I knew already the world was spinning.

Let me tell you, between the choice of wonder and knowns, you want to lead a life of never seeing too far forward in time.

I imagine anyway. It must be a kind of peace to not know always what is coming next.



Plague Journal: 

6.23.20

if i would have known on the that last night before the city shut down that i would never kiss you again. i would have really kissed you. i would have stayed long enough to say good bye.

but like most of my life, i thought i had all the time in the world.

and i thought you loved me too.

and what has been most consistent in my life is how wrong i am about other people.


Resource:
Survivor Stories: Family reflects on how Hurricane Katrina brought them closer together
https://www.today.com/news/survivor-stories-family-reflects-how-hurricane-katrina-brought-them-closer-t137527




Wednesday, August 19, 2020

What is a mistake of light?



Day 19:


[pour out of me]  whisper into night/ pour all of this [out] of me/ this gesture is called: Begging


*Please use the guide for exact measurements.


********************************************

Process Notes: 

"Because dissociation is a breakdown in the continuity of a person's felt sense, it almost always includes distortions of time and perception."
-Waking the Tiger

Lens Flare:
"When light rays coming from a bright source(s) of light (such as the sun or artificial light) directly reach the front element of a camera lens, they can reflect and bounce off different lens elements, diaphragm and even off the sensor, potentially degrading image quality and creating unwanted objects in images."

What is an unwanted object in regards to light? 

Do you look for safety and security but in your heart, you pray for danger to be saved from the little dream we made here. 

Is this time worse than Katrina. I don't know how you would measure a disaster against a disaster. Each is as unique as a fingerprint, a snowflake, a stain, the way we love...

I am learning now there are so many layers to love. 

Have you seen this too. (in the still silence of these days when you can hold your breath against your beating heart, if you can hold it. can you hold it. can you let it go. i slipped inside each moment, stealth. we rotate. i leaned into not clinging, not grasping, and let it wash. let it wash me away, if that's what you want, new orleans. i could never resist you.) 

[and love, love was so slippery. like happiness. love was so abundant. we warred here and it was unnecessary.]



I don't know that light ever makes a mistake. I think we just have to adjust our expectation of seeing. 


Photograph: 

Clouds over the Lakefront 


Time changed during the pandemic, everyone noted. We steep in the familiar, the dissociative experience. 


The night we roller skated by the tracks in the warehouse while the trains rolled by... 
I want you to know at the end of the night, I rolled the whole perimeter of the space and swept it clear of all the energy we left there. All of my life has been a sweeping of sorrows, a gathering of grief, the felt sense of how energy shifts from the body into open space, and we move it. We transform it out into the replicating space of all of this. I wouldn't change a thing. 

I want you to know in all of my life: I have had friends who handed me ways to survive all of this. In the end, there was more love than I could have ever reciprocated. 

And you too, even as the world broke around us, even as you struggled and fought to stay afloat, you gave me the dream I held inside me. I wanted to fly and you said, here: I made this safe for you. 

And it made all of the difference. 

Love doesn't always shape by carving, I discovered in this life. 

Love shapes too by the softest of whispers over time; we pull so close, we forget to listen. 

Plague Journal:
6.7.20

Sometimes love pierces us so deep we want to flee it. Run from swift moving waters before we are carried away. We want to be told, this won't be painful or scary, but life is a meeting of reality where reality lays. We never go back. We are never the same. What about the radical inclusion of I will care for you anyway. Beyond what you give me, how you benefit me, what you do for me. Beyond knowing or else we begin to accept there is no stranger in a species of one. We can define boundaries but keep love unbounded. How many words for it is not the problem. 

The problem is everything you hold as a condition and call love is not love. 

The problem is what you are reaching for is not love at all. 

They say in a dream, everyone is you. I say, here it is exactly the same. 

We move through bardos and nothing changes about what we always are. 

We want so desperately for the little dreams of our lives to matter, but we are dust. And if we understood the way dust interacts with all dust over time. maybe we could put it away long enough to call up that incredible resilience of joy that harbors in each of us. 


Resource: 
Photographer Mario Tama arrived in New Orleans on Aug. 29, 2005, after he was dispatched by the agency Getty Images to document what was shaping up to be one of the worst natural disasters in U.S. history.









Monday, August 17, 2020

What happens once you are free?



























Day 17:

disasters takes years to recover from/ that is the nature of their imprint/ you can’t cling to life/ it’s already lost/ all of this, already lost/ look there in the pooling/ once this time moves/ we move forever/ all of this passes/ there is no guarantee of life/ our practices reflect us more than god


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Process Notes: 

there is a chaos if i so choose
-A. Notley

"Incidents of abuse are never stand alone events."
-The Body Keeps the Score

What deaths are we ready to allow into our lives now?

Post-Katrina New Orleans in 2006 was a dangerous landscape. There were very few mental health resources, people were using to cope, domestic abuse went up, suicides went up. We sat stranded from each other. A city made of blocks of debris, abandoned homes, darkness for miles, and the emptiness where once we danced.

In Mardi Gras of 2019, we followed St. Anne over the tracks to the river where traditionally New Orleanians deposit their dead. Have you walked these paths? Have you danced to music in the morning as the sun rises over the costumed medley and as you passed the tracks made a wish:

May we be well.
May we be safe.
May we be at peace.

Oh New Orleans.

I have walked at night on the eve of the New Year in a snake like pattern over bridges to clear this waking.

I have walked at dawn from the levee to the place where we pushed through the energy that bounds us to the past.

We have made such a metamorphosis of this living.

And now we ask again, can you sing us through this time of capsizing. Can you listen to this drowning and still tell me we will make it right. Right there, the shore in sight.

I will tell you to reach a place: You must never take your eyes from where you're destined.


"if you have walked outside the machine
  Who are you?"

-Notley

Photograph: 

Reflection in City Park Lagoons

City Park, a 1,300-acre (5.3 km2) public park in New Orleans, Louisiana, is the 87th largest and 20th-most-visited urban public park in the United States. City Park is approximately 50% larger than Central Park in New York City, the municipal park recognized by Americans nationwide as the archetypal urban greenspace. Although it is an urban park whose land is owned by the City of New Orleans, it is administered by the City Park Improvement Association, an arm of state government, not by the New Orleans Parks and Parkways Department. City Park is unusual in that it is a largely self-supporting public park, with most of its annual budget derived from self-generated revenue through user fees and donations. In the wake of the enormous damage inflicted upon the park due to Hurricane Katrina, the Louisiana Department of Culture, Recreation and Tourism began to partially subsidize the park's operations.

City Park holds the world's largest collection of mature live oak trees, some older than 600 years in age. The park was founded in 1854, making it the 48th oldest park in the country,[ and established as the "City Park" in 1891.
Source: Wikipedia


Photo by: Coleen Perilloux Landry, Sept, 2005: City Park


Plague Journal:
5.27.20

i thought it was "less life" or "missing life" but it was just a choice & there was stuff to learn here too- it's a matter of how you want to receive lessons

i feel like if i could just be still or quiet enough, i could hear something. is there something beyond expectation. that nails us to suffering. endeavoring to get it "right" when everything is already right- right before us.

he says, i make things harder than they need to be. and it's true. i needed you to speak to me in a language exact. a code i could read that i only wanted to read as safe. inside the complexity of chaos, the simple pattern of return to where we begin and to begin again. over and over. we pass through the chambers and all of the chambers are the same. it seems some days. we aren't getting anywhere. and then we arrive. and you'll know because if you are lost in your life.

it means you never made it this far before.



Resource:
Shipwrecked America:
by Alexandra Kandy Longuet | Eklektik Productions & Crescendo Media Films | France - Belgium | 52' | 2016

On August 29, 2005, Hurricane Katrina, the most violent storm in the history of the United States, ravages New Orleans. The city’s entire population is displaced.
In the land of opportunity, the disaster seems to provide an opportunity for a city’s rebirth on a fairer basis. But against all expectations and despite the Obama presidency, the Crescent City turns into a ground zero for imposing economic shock therapy, intensifying drastically the economic, social and racial inequalities that existed before.
Portrait of the city that became the US laboratory and reveals the divisions of a whole country.
https://vimeo.com/188628485

Friday, August 14, 2020

What is a container for fire?


Day 14:

You can’t abandon emptiness and emptiness cannot be abandoned.
tell me how the past is “real.”  tell me when we made the performance of our lives more important than our lives.
how has the word safe shaped your days. how has the feel of it hidden in your hide feraled the notion of happiness here.


**************************************

Process Notes: 


when i tell you i am new orleans
i mean i am the deepest secrets she keeps
darkness and shadow, shame & neglect
we do, don't we- want to know the terrible
stories we keep. all that it means to be human
we want to have some say in the bargaining 
for safe passage & i said the city sings of gratitude
for this life & that's the portal 
what do you sacrifice to walk there
they are watching to see
if you pick up the code

"survival always leaves its mark"
-M. Embree

and the angels have every right to refuse us

at some point you have to reconcile
that someone should have taken care of you
that you deserved love and attention and protection
that you needed and didn't get it
but you survived anyway--you made it anyway
and you are never going to get what you need 
in this life, that's the part that will trap you 
if you don't accept it: the poem takes all 



Photograph: 

alley between two buildings on Downman Rd. in New Orleans east

New Orleans East:
About two miles (3.2 km) later, LA 47 crosses a level bridge over Bayou Bienvenue into Orleans Parish and the city of New Orleans, which are co-extensive. The highway then crosses a high-level bridge over the much wider Gulf Intracoastal Waterway, an industrial shipping channel. Returning to grade, LA 47 becomes a controlled-access highway that also serves as the entire route of I-510. This concurrency lasts for 3.5 miles (5.6 km) and contains four closely spaced interchanges. The first is exit 2C, a stingray-shaped diamond interchange that connects with Old Gentilly Road via Almonaster Boulevard and serves the nearby NASA Michoud Assembly Facility. This is followed by exit 2A–B to US 90 (Chef Menteur Highway), a major route through New Orleans East. Continuing north, a more traditional diamond interchange at exit 1B serves Lake Forest Boulevard, and soon afterward, the abandoned Six Flags New Orleans theme park appears on the east side of the highway.

The fourth and final interchange is exit 1A, a partial cloverleaf with flyover ramps that connects to I-10. New Orleans' major east–west route, I-10 connects with the Central Business District to the southwest and the city of Slidell to the northeast. Having intersected its parent route, I-510 ends, and LA 47 continues ahead as a divided four-lane highway without control of access. The highway reaches the south shore of Lake Pontchartrain in an area known as Little Woods, located at the easternmost extent of urban development along the lake shore. Here, LA 47 turns southwest onto Hayne Boulevard, an undivided four-lane thoroughfare. For the next 4.5 miles (7.2 km), LA 47 travels through residential New Orleans East while closely following the lake levee, which is topped by a concrete floodwall. Several divided neighborhood thoroughfares, such as Bullard Avenue, Read Boulevard, and Crowder Boulevard, lead back to interchanges with I-10. Just west of Crowder Boulevard, a ramp provides access to the New Orleans Lakefront Airport and the Senator Ted Hickey Bridge across the Industrial Canal. LA 47 continues along Hayne Boulevard for another 1.3 miles (2.1 km) to an intersection with Downman Road, which parallels the industrial corridor located along the east side of the canal.
Source: Wikipedia 


Plague Journal: 

5.27.20
All of the pictures from my childhood growing up in New Orleans east were destroyed in the flood. 

"Code your language and escape."
-A. Waldman 

"Every poem should be written in all languages simultaneously."
-P. Joris 


Notes from the Channel: 



Resource:
New Orleans east recovery after Katrina:
https://www.theadvocate.com/baton_rouge/news/article_9906ab1b-a1e7-5eb7-8e52-824adb52d6a3.html