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Showing posts with label bardo. Show all posts
Showing posts with label bardo. Show all posts

Thursday, August 20, 2020

What is the sacrifice?

Day 20

the magical act of the poem/ is you thinking we are getting somewhere/ with language/ when there is nowhere to go/ there is nothing but emptiness

strange always was our time among each other/ the strange lights we are /or how we hide from one another

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Process Notes: 

inside [redacted]
there is a story, all the way down
we know best stories we build here
in one lifetime, mine the story
it has everything you need, and the stories
interlock, so you have to know the story of where
you came from in order to read the code
you have to access generationally a coding
complete inside you and where it lacks, you
are searching for a matching in code
to translate back to you what is forgot
for there is no separation of family to other
we are all traveling the same paths
on different time lines

time is a problem


maybe we fear love

because it makes us invincible.


Photograph: 

Live Oak near Canal Outlet on Robert E. Lee Blvd.

"The first existence of the universe was brought into being by hearing and its last will be brought to an end by God through hearing." -Adonis

In Buddhism according to the The Tibetan Book of the Dead, which in the original Tibetan was named: The Great Liberation by Hearing in the Intermediate States, at death the dying person will be presented with hallucinations of sights and sounds as the body's senses deplete and withdraw. These images of the Buddhas, both wrathful and beneficent, are said to be "projections" of the original Buddha nature of our being. Not truly projections as they are us. They are the reality of what we are that we forget in the samsara of illusion which is our reality. The book is called Liberation by Hearing as the text is to be read to the dying being to remind them not to panic during death but to recall their teachings and to understand what is happening to them.

It's a shame we don't value life in this culture so much that we would prepare not only our own deaths but be prepared to know what to do when those we love die.

What will you do when those you love die? Will you know how to ease their fear. Will you have eased your own to such an extent that you can hold it. And your own death, how much of each day do you devote to sitting with that reality. Do you know how you will hold yourself in death.

What is it you wish to achieve in dying as there is truly nothing in this world to achieve.


Plague Journal:

6.8.20

the macrocosm of standing together will seep into the microcosm of all of your relationships

when you realize there are an abundance of people who will feed you, you don't have to rely on poison anymore

we recreated templates of power and control in our relationships because we were modeled abuse and control as normal, as ideal, and told it was care taking and love. What we need to normalize is standing besides one another, the next/ to model. We need to learn to stand next to anyone and care take. We need to learn to care for who is besides us, not who we pick and choose. These practices are the antidote to the poison.

We sow the seeds now with every choice- for what grows next.

We are asking for more and will ask for more as we value ourselves.

Learn here in this disaster to stay the course, be consistent, to navigate terror, to survive -- keep going all the way to the other side.

Fixed continuums and fixed models are fantasy. All is birth and death, growth and decay. Do not despair your time here, no matter where you fall in the fluid motions of its sweep. What is low, rises and what is on top must always descend below.

The universe is exact even in spite of all our failure.

Try to hold on to the balance of all that spools out before us.

I am keeping you in sight.


Resource: 
New Orleans' Urban Forest Survived Katrina
http://www.nbcnews.com/id/9773202/ns/us_news-environment/t/new-orleans-urban-forest-survived-katrina/





Saturday, August 15, 2020

What is the word for something emerging from nothing?






Day 15:

Practice dying till it comes as natural as inhaling. Practice that or be lost in this cycle of endless suffering for all lifetimes. Amusement is the degree to which you have tricked yourself into believing anything here holds meaning. You can no more be in New Orleans than America than in some fixed notion of your own name. You can destroy a city or kill yourself, and all of consciousness will continue to self replicate. It’s not that you don’t matter, but it is exactly that there is no “you” that exists to matter. Doubt of that truth is the dream; it’s the fabric of this bardo to deceive us. 



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Process Notes: 

1) the art of visibility
2) the art of attention
3) the art of reciprocity
4) the art of response
5) the art of truth
6) the art of protection
7) the art of travel
8) the art of disclosure
9) the art of grief
10) the art of safety
11) the art of touch
12) the art of entry
13) the art of response
14) the art of intensity
15) the art of confusion
16) the art of moments
17) the art of impulse
18) the art of time
19) the art of shared space
20) the art of devotion
21) the art of admiration
22) the art of communication
23) the art of laughter
24) the art of creating
25) the art of critique
26) the art of design
27) the art of denial
28) the art of sacrifice
29) the art of acceptance
30) the art of gratitude
31) the art of joy
32) the art of relaxation
33) the art of nature
34) the art of beauty
35) the art of the unexpected
36) the art of release
37) the art of gratification
38) the art of memory
39) the art of trust
40) the art of recall
41) the art of codes
42) the art of magnification
43) the art of energy
44) the art of doubling
45) the art of closure
46) the art of beginnings
47) the art of numbness
48) the art of awakening
49) the art of sound
50) the art of vibration
51) the art of collective
52) the art of repetition
53) the art of bodies
54) the the art of no words
55) the art of restraint
56) the art of surrender
57) the art of excess
58) the art of unconditional love
59) the art of fear
60) the art of ecstasy
61) the art of union
62) the art of across time
63) the art of underneath
64) the art of nonduality

Photograph:

Tomb in Odd Fellow's Rest cemetery in Mid-City

Lat:   29.9817°   (29° 58' 54")

Lon:   -90.1106°   (-90° 6' 38")


The Odd Fellows Rest Cemetery in New Orleans, Louisiana was founded in 1849. It includes Renaissance architecture and Exotic Revival architecture. It was listed on the National Register of Historic Places in 1980, and the listing included one contributing building and one contributing site.
Source: Wikipedia



the first part of every ceremony is the banishing

the second part is the invoking

rest here, i hear joy is coming....






i know how to see far enough forward into time
to build a path to resistance
when i arrived at the crossroads
it was not what i carried but who i brought with me

that i had not counted on, but all of life will torque
on unexpected, so i need you to hold grief in an open palm facing the sky
not with your hand closed turned towards the ground
clutching the fear, if you relax, you will lose it
there is nothing to lose

i promise.



Resource:
Carville Morgue:
https://www.nytimes.com/2006/02/15/world/americas/15iht-orleans.html






Saturday, August 08, 2020

Do we send the kids to school?





Day 8:

A Naming:

Arlene, Bret, Cindy, Dennis, Emily, Franklin, Gert, Harvey, Irene, Jose, Katrina, Lee, Maria, Nate, Ophelia, Phillippe, Rita, Stan, Tammy, Vince, Wilma, Alpha, Beta, Gamma, Delta, Epsilon, Zeta

After the season had ended, the World Meteorological Organization's hurricane committee retired five names: Dennis, Katrina, Rita, Stan and Wilma and replaced them with Don, Katia, Rina, Sean and Whitney for the 2011 season.



*******************************************

Process Notes:


but love, do not ask me the secrets
the dead keep
do not ask me of strangers' tongues
slipping in a no mouth

you self assemble into a shape
called consciousness
in response to a universe
vibrating to a specific spiral
helixing in you

place your fate against another
and what can you ever know of distance
when my love leaves my heart
till when it reaches you

do not speak grief to me
if your belief is still in separation
in ending, in death

An untold number of kids—probably numbering in the tens of thousands—missed weeks, months, even years of school after Katrina. Only now, a decade later, are advocates and researchers beginning to grasp the lasting effects of this post-storm duress. Increasingly, they believe the same lower-income teens who waded through the city’s floodwaters and spent several rootless years afterward may now be helping drive a surging need for GED programs and entry-level job-training programs in the city. It’s no coincidence, they say, that Louisiana has the nation’s highest rate of young adults not in school or working.
Source: https://www.theatlantic.com/education/archive/2015/04/the-lost-children-of-katrina/389345/


Photograph:

Train tracks by Holt Cemetery
Latitude: 29° 59' 4.1496'' N
Longitude: 90° 6' 20.7972'' W

Holt Cemetery is a potter's field cemetery in New Orleans, Louisiana. It is located next to Delgado Community College, behind the right field fence of the college's baseball facility, Kirsch-Rooney Stadium. The cemetery is named after Dr. Joseph Holt, an official of the New Orleans Board of Health (famously involved with city health issues concerning Storyville, the Red-light district of New Orleans) who officially established the cemetery in the 19th century. Holt Cemetery is one of the Historic Cemeteries of New Orleans.

The cemetery was established in 1879 to inter the bodies of poor or indigent residents of the city. Funeral processions to Holt Cemetery were generally around, rather than through, the city. The original cemetery was 5.5 acres, and it was expanded in 1909 to 7 acres. Nearly all of the tombs are in-ground burials. As established, ownership of the graves at Holt Cemetery were given to the families of the deceased for the cost of digging the grave and subsequent maintenance of the plot.

Most of the graves and tombs at Holt Cemetery were not commercially or professionally produced but were instead fabricated by families of the deceased, giving the cemetery a strong personal touch.
Source: Wikipedia

holt (həʊlt) n
(Physical Geography) archaic or poetic a wood or wooded hill
[Old English holt; related to Old Norse holt, Old High German holz, Old Slavonic kladũ log, Greek klados twig]
Source: https://www.thefreedictionary.com/holt



When we were kids, we would jump the broken fences to cross Holt Cemetery. It was so neglected then it was common to see bones surfaced.




After Katrina, coffins washed ashore on the train tracks near our house. You could tell by the coffins that they had come from the wealthier cemeteries nearby.













We never learned anything in school about death. Everything about death you learned on the streets, in whispers, from your friends, and in the city. After Katrina, there was so much we knew about dying and how they would let us die. And now here we torque on the knowing: America.

How long will you suffer as we have? How did you think you could ever escape our fate?


Imagine a world where instead of being caged by the fear of death, we actually embraced stepping through the portal. Imagine how we would value life if we could learn to hold that truth.


You will know the intelligence of any species by how they handle their dead. And if they put it far away to not be seen, if they hide and ignore death, if they fear and run from it: Woe to the species that would speak of life thinking they can halve reality and not pay the cost of that sacrifice.

This dance is chaos. Come along...


Plague Journal:

5.25.20

you're gonna be changed whether you want to or not. the way a disaster swims inside the time line of all that touches you. you have now inherited before and after. the way we are dissimilar and similar, paradox the wheel that belief sits on. how to be a suicide to the living dead handbook. how do you survive in your suicide mind. i've been here forever. let me draw you a map. you have all of these days and hours now. make something to break against. make something beautiful. don't let any part of your life go uncharted just because the vessel suffers. just because we are made of shattering bodies is no reason to slip the light too. take all of your love and suffering and pain and fear and hold it against your genius heart. pull up the radical imagination that keeps you here when the only real solution to being human is to leave the stage. tie a red string round your wrist for every time you fail to keep the echthroi out. it's not anyone else's job to keep you safe. you will pass each chamber as you are ready. and what we call a night: well, now tell me how long that lasts now in the bardo we call pandemic.

tell me of this bardo's language. the way time shifts. and also, how do you taste under such a lack of touch.

life was a temporary, and what we call death is not something one can do to another. death was the only thing we carried in. it's the only thing you have ever held here. don't you recall this song?


Maps from the Channel: 



Resource:

We're Only Sleeping by Herbert Kearney