Solid Quarter

Visit Trembling Pillow Press for poetry books, broadsides, chapbooks, and Solid Quarter Magazine.

Visit New Orleans Poetry Fest for the annual 4 day poetry festival directed by Bill Lavender and Megan Burns.

Megan Burns' Poeticsofbone&city project on Tumblr



Sunday, January 10, 2021

Raw Towns


 

For Bill Lavender


In the heart of deep hearts, no voodoo dolls

The shape of days, the hours we met and disappear, time

So fast it takes your breath away, how you can build a city 

But still be a stranger in it, the way a story of a man floating in flood

Waters in a plastic pool will image carve into the crenellations 

We call recollected history, in one lifetime you will have conversations

Barely recalled and words that turn swiftly the whole course & we 

Gather here, patchwork defense mirroring, look i have unthreaded 

The straight and narrow paths of arrival and departure: I would bet

Infinity in symbolic play, the truth of how any art meets and stabilizes 

The future namings, you were the only person who dared say it

That maybe it was worth it to abandon the safe measures of prescriptions 

That kept me numbed to wanting to die, imagined the length of travel 

Insanity must venture & if love is not our place than why do we come here

If love is not how we see one another, why are we paying attention 

I shed every safety net designed to cage in a whisper of what 

Could your mind be missing, to be set apart from self possession 

Campbell says, is the point of participation in a festival, the ritual 

Of disassociation masks so fine, and even in the knowing that 

We wear it, we revel in the apparition of this mythic state 

This state of how we crumble from fearsome field to invulnerable 

Abandoned structures, the shape of belief trembled along the loose 

Sounds unspoken for in any quantum reality, once there is

there is no undoing, the error of our lives was never 

Sleep’s frail hold or survival in the margins, it was 

Never seeing clearly how deeply the coding we designed seeped

The barycenter pulls the eye to a centered light but the burning 

Of that bright, unequivocal eye is as gentle as the sound of breathing 

Not to go gently, but that we do not go is the line’s off course entry 



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