Dear Chris:
I have a Dick too. His name is even four letters long and
starts with a D.
I met him on Fetlife and we slept together a few time, went
on a few dates and then he decided we should just be friends. I was infatuated
already though, thought I was in love with him. I started writing this book
about infatuation. I left poems on his porch. We stayed friends. It turns out
he hates women. We have these long tedious debates about feminism. He often
says… “all women…” and when I point out that I don’t do that and I am a woman,
he’ll say, “you’re an exception.” So maybe, I am not a woman because I don’t
perform all of the acts that women perform that allow him to both hate them but
also sexualize them in a way that he can’t with me because I act like what, … a
man?
Of course, I would fall in love with a man who hates women.
I’ve been programmed my whole life to save that broken bird.
I kept writing my book and thinking about attachments and
obsession and strangers. I met my Dick by trying to be less attached to the man
I was having an affair with, and I fell in love with my Dick while the man I
was living with moved out and left me. And I thought now I just have to write
this book and understand the way I attach to people and by people, I mean men. So, I started fucking a
lot of strangers and watching how, in some cases, I felt no attachment after
the fact and in some, I felt an enormous misplaced attachment. I realized my
Dick was the perfect muse. I was writing this book to him, to seduce him,
which is to say, to seduce myself; art being first and foremost a facet of narcissism: To solidify
what I feel in language as poetry has done for centuries/repetition a
masturbatory act, love only really
occurring in the confines of the idea. Lacan is right (write?) when he says sex is always narcissistic. It’s a thin line between the desire to please
for your own pleasure and that moment when it is crossed, and you believe
someone is taking advantage of you for their own pleasure; it means they are
receiving more pleasure than you and that’s not what you signed up for, doesn’t
it? The narcissism of using an "other" body in which to enact our desires,
our pleasures up to the point where we perceive the reciprocity is off,
then the balance of two narcissistic acts becomes unstable. I’m not talking
about abuse, but the more subtle moment. You know, the moment when you keep
blowing a guy because it takes him forever to get there, and sometimes you love
that and sometimes you just want to throat punch him. Or the moment you know
that it’s taking you a long time but you just don’t care because patriarchy…. or insert whatever gender roles you want in
the examples and as many bodies as you want, because the metaphor remains
consistent. Even exclusive of orgasmic conclusion, any physical or even media based sexual act is the desire to be seen and to be wanted by the other -outside of a sexual economy- the desire to fulfill our desires enacted on a body not our own, conceptualized in a body not our own, various in a body not as familiar as our own.
It’s selfish, even when we sugar coat it with the Disney premise of
romantic love, even when we believe all we want is to please our partners, deep
down we know the line is there, we know the minute it’s been crossed and because
the line exists, ultimately, we have created a boundary around what sex is for,
what is our end goal.
Sex in all of its permutations remains of the body and of
pleasure when not abusive—which is not sex, but violence manifesting against our
bodies in a sexualized way—and therefore subject to the illusion of our senses,
the distortion by which we can write many kinds of fictions all over it. And we
grow tired of all our desires… which is why we created romantic love as Lacan
also points out. Desire only takes us so far…. but it’s everything in the
writing. It’s a fire, isn’t it… unrequited desire. What I wouldn’t say to make
you want me?
I am the I of the body and the I of the mind and the I of
the Story; the story of I.
Chris, I have this fantasy. I have this fantasy on one end
where the muse is replaced by the Dick. That we all get our Dicks and write
like our minds are on fire. We put Dick in the role of the muse: passive,
ethereal, angelic phallus in the house. And the other end that I tread even
closer towards is the menstrual hut. I want to get back into the bleeding of
it. I want to know a world written only from the vacuum of what occurs in the
menstrual hut. I want discourse only of what is in the menstrual hut. I want
art only made in the menstrual hut. I want language only created in the
menstrual hut. I want to know what that world looks like… I want to have never
known that there was a Dick we were measuring up against. Can we imagine that
kind of universe… my book became about programming. How we are all programmed in
our responses, in our attachments, in every thing we know about love. And if
that is true, then we can break our coding/ we can hack into our own known
variables and we can code anew… I think we can get back into the menstrual hut.
I think we can learn to create out of the menstrual hut effectively erasing the
fictions of history that program how we use our senses to make art.
I think our lives depend on it. I think it's something we remember, can remember, it's located in our DNA. This world inside our consciousness that erases any DICK that comes before the womb. It's our hysterical future.
More soon,
M
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